Idea: A sign at the top of Mt. Everest
[This post is part of an idea dump.]
Is anyone heading up Mt. Everest soon? I have an idea. Put a sign at the top for future travelers that says “Thank you Mario! But our princess is on another mountain!”
Filed under “Ideas”
[This post is part of an idea dump.]
Is anyone heading up Mt. Everest soon? I have an idea. Put a sign at the top for future travelers that says “Thank you Mario! But our princess is on another mountain!”
There’s a rule of thumb for long lenses and shutter speeds: to handhold a camera without noticeable motion blur, your shutter speed should be no slower than the inverse of your focal length. So for a 50mm lens, you can safely handhold at 1/50 of a second or faster. If you have a long telephoto, like say a 200mm lens, you shouldn’t try to handhold at slower than 1/200 of a second.
But what if you’re using a zoom lens, and your focal length varies from one shot to another as you capture wide shots and close-ups to tell the story of whatever you’re shooting? Wouldn’t it be great if your camera had a setting to automatically adjust your shutter speed (and appropriately your aperture to maintain exposure) when you zoom so your tight shots are still nice and sharp?
You already have an aperture priority mode that adjusts your shutter speed if you change the aperture, and a shutter priority mode that does the opposite. So why not add focal length to the automatic equation, too?
It will not be useful in all situations, of course. In dim light, your lens might not be able to open up enough to compensate for the loss of light when the shutter speed increases as you zoom. But in other situations, this setting could be just the thing that keeps you taking sharp photos instead of smeary messes.
I think HTML needs a <spoiler> tag. Compliant browsers would automatically redact anything contained within it.
For further granularity, you could have support for <spoiler kind=”XXX”> where XXX might be “Breaking Bad” or “US Open” or “Cheers Final Episode” or whatever. Then when you visit a page, your browser would note at the top: “Warning: This page contains spoilers for Breaking Bad, US Open, and Cheers Final Episode” with an option to redact some or all of those things.
Your browser could remember your preferences across websites, so if you chose to redact spoilers where kind=”Breaking Bad” on one site, that will be the default behavior on other sites until you turn it off in the spoilers preferences, which keep a running list of spoiler kinds you’ve encountered.
We all know that WHEN SOMEONE TYPES IN ALL-CAPS it’s interpreted as shouting. So why shouldn’t it work the other way, too? Now that everyone has devices capable of transcription in their pockets, maybe we can work on making transcription easier by using vocal tones for formatting cues.
IF I SHOUT A SENTENCE INTO MY PHONE, IT SHOULD BE TRANSCRIBED IN ALL CAPS.
If I only shout one word of a sentence, it should be italicized, especially if it’s an adverb.
Someone must be working on more seamless formatting of transcription, right? Nuance, the company which makes the speech recognition engine behind Siri, has a feature in their own software that they call Natural Punctuation, but even that’s limited to just automatic periods and commas.
Could we have a setting that automatically interprets upspeak as an indication to end a sentence with a question mark?
What other kinds of formatting could be managed easily by changing your inflection rather than your content?
[Perhaps this already exists for jailbroken or Android phones; someone tell me if it does.]
It’s great that I can get location-based reminders. But how am I supposed to remember that thing I keep meaning to tell my wife, who I see in a variety of places? Or the question I keep meaning to ask my friend the next time I see him?
I’d like a reminders app that will remind me of those kinds of agenda items 30 seconds after I come in close proximity to a person, regardless of where we are.
That should be doable, right? (Obviously assuming they have a compatible location-aware device on them with permissions set to allow proximity awareness, etc.) Perhaps Apple could add it to Reminders, hooking into Find My Friends permissions.
[This post is part of an idea dump.]
Here are more ideas on my list of blog posts I won’t get around to writing:
• A house on stilts that resembles an AT-AT
• Arnold Schwarzenegger doing a British accent. This is just something that I want to hear. Unfortunately I have no access to Arnold Schwarzenegger. Has he ever done one in any of his movies?
• A video game where the player’s perspective is from beneath an invisible floor, looking up. That’s as far as I got. I’m not sure how this would factor into the game mechanics. What kind of game would use this perspective? Maybe you’re a janitor and you have to scrape gum off the bottom of desks?
• Gwhack-a-mole. It’s a wackamole game but instead of plastic moles popping up that you hit with a mallet, they’re avocados. And as you whack them, they get mashed up. And when you’re done, you have guacamole. Just add cilantro, onions, salt, lime juice, and some diced tomatoes.
• An internet cafe with a meme-themed menu like:
• A sandwich on a Rickroll
• A side of Godwin Slaw
• Peanut Butter Jelly Time Sandwich
• Chocolate Rain Sundae
• 2 Sodas 1 Cup
• Diet Coke and Mentos
More next time…
I saw this drawing the other day on an informational sign about ungulates at the American Museum of Natural History. They should really put this on t-shirts to sell in the gift shop.
In the immediate aftermath of the Boston Marathon bombing, I saw a lot of tweets calling for businesses in the area to open up their Wi-Fi so people can contact their loved ones during a period where cell phone networks were so congested that calls and texts couldn’t go through. I wondered whether a business owner — or whatever employee happens to be around that day — would even know how to open their Wi-Fi in a crisis.
So what if business-class routers included a Router Emergency Switch? It could be implemented either as a big red physical button on the router itself, or an easy-to-find software trigger. In a crisis, it’s an easy way to open your network.
I know what you’re thinking: if it’s that easy to open the router, isn’t there potential for abuse? Couldn’t it be triggered in non-emergency settings? Not if it’s done right. When you set up your router for the first time, you would also set up the Emergency settings. Heres an example of what a typical setup might do when the Emergency Switch is pulled:
1) Create a new Wi-Fi Guest Network so your own network is still secure.
2) Change the Wi-Fi Guest Network name to “USE THIS NETWORK DURING EMERGENCY” or something similar so people know it’s available.
3) Automatically bring people who access that network to a portal page with links to local and national news websites, local and national emergency websites, popular webmail sites, and maybe some first aid tips or other similar information.
4) Optionally open access to the entire internet, or just to specific sites to use during an emergency, depending on how trusting/paranoid the business owner is.
5) E-mail the business owner to alert him or her that the emergency switch has been activated.
6) Automatically turn off the guest network after a preset time period (perhaps a week?) in case the business owner forgets.
It seems like there’s only a very slim chance you’d ever need to use this. The odds of your business being within Wi-Fi signal’s reach of a catastrophe seem pretty low. So maybe this is the sort of thing that doesn’t have enough payoff to make the trouble worthwhile. But in that rare instance, it could end up being useful.
[This post is part of an idea dump.]
Over the years, I’ve drawn a bunch of little cartoons for Ironic Sans. Some became part of an Esoteric Comics series. Others were standalone posts. But I still have a big list of comics I never got around to drawing. Some were for lack of time, and some were for lack of knowing exactly how I would do it.
For example, I’ve always wanted to do a one-panel cartoon of an alligator driving a car with a bumper sticker that says “My son is a black belt.” But I couldn’t quite figure out how to draw it from an angle so you can see the driver is an alligator and also read the bumper sticker.
So here’s a bunch of cartoons that didn’t get done. Some are fully formed in my head, and others are just caption ideas. If anyone wants to draw them, I’ll post them in a follow-up:
• An alligator driving a car with a bumper sticker that says “My son is a black belt.”
• Neil Young with two heads and three arms, playing guitar on stage and singing “…searching for the Heart of Gold”
• Shields and Brooke Shields. (It turns out I’m no good at drawing either of them)
• Dilbert Gottfried.
• Members of the Jetson family washed up on a beach with other debris. Caption: “Flotsam and Jetsons.”
• Flat Stanley gets fed up with the nickname and goes to get breast implants.
• The Terence Trent Derby. You know, a race of Terent Trent D’Arbys.
• Mario and Weegee. (the plumber and the street photographer)
• WALL-E and the Beav. (Or perhaps WALL-E and the EVE drawn Leave-it-to-Beaver style, whatever that would be)
• Mecca Godzilla. (Um, this one I might not post.)
Wow. Listing them all like this makes me realize my humor seems mostly derived from bad puns.
[This post is part of an idea dump.]
I’d like to see a family portrait, perhaps painted in an old Victorian style, that depicts the following people:
Charlie Brown, Mr. Brown (from Reservoir Dogs), Buster Brown, Molly Brown (the unsinkable), Encyclopedia Brown, James Brown, Gordon Brown, Bobby Brown, and Mr. Brown from the Dr. Suess book about the man who can moo.
Update: And Doc Brown.
[This post is part of an idea dump.]
I know actually writing this would be much harder than just coming up with a loose idea. But structurally, it would work something like this:
In 2015, a movie comes out that takes place entirely in 2015. In the story, a character travels five years into the future, has some profound experience, and then returns to the present where the ramifications of his future travel profoundly affect him. We never find out exactly what happened in his time jump, and we’re curious, but it’s okay because the present story stands well on its own.
In 2020, the sequel comes out. It takes place entirely in 2020. We finally have caught up with the time traveler, and now we get to see what the heck happened when he got here that affected him in 2015. The story in 2020 also works well on its own, but it sheds new light on events that happened in the 2015 movie.
For bonus points, the time traveller’s 2020 scenes could all be shot in 2015, so the actor will not have aged, but all his costars will. For a more enhanced effect, the movies could be more than five years apart, or the characters could be young so the five years of aging is more dramatically obvious.
[This post is part of an idea dump.]
Someone should start a tumblr that’s nothing but quotes from people saying that someone should start a tumblr. It should look something like this: someoneshouldstarta.tumblr.com
That reminds me. I started a tumblr of pictures of Showrunners On Couches. Please send me submissions.
[This post is part of an idea dump.]
I never posted this idea because I wasn’t able to come up with enough material to finish it. Maybe you can help? Scroll down to the bottom for more about what I’m looking for.
Do you know of any good posters to fill in the gaps? Or better options for the ones I already have? Ideally, I want posters where the letter is featured large and centered. So, for example, “G” above isn’t great because the letter is so small and low. “W” could be better for a similar reason.
Also, it’s okay if there are other letters and words, but I’d like the alphabet letter to be the most prominent thing. That’s why I didn’t use the poster for Blankman, which features a prominent letter “B”, but it’s minor compared to all the distracting words on the poster. And similarly, I struggled with whether to use Malcolm X, seen above, or X-Men: First Class which has a similarly prominent “X” with fewer distractions. I chose Malcolm X for undefinable reasons.
If you have any good suggestions, let me know, and I’ll update the poster.
[This post is part of an idea dump.]
Someone should make a zombie movie that takes place in a community of really old people. Because one group lumbers along slowly, moaning, with one foot in the grave. And the other one is zombies.
[This post is part of an idea dump.]
In 1968, the catalogue for an Andy Warhol exhibit in Stockholm first featured the quote, “In the future, everyone will be world-famous for 15 minutes.” Well, now we’re in the future. And speculation about the future is the stuff of sci-fi movies. So here’s my concept:
The movie’s working title is “The Warhol Paradox.” It starts in 1968, just a few months after Warhol’s Stockholm exhibition, when Valerie Solanis marches into The Factory and opens fire on Andy Warhol. But in the alternate universe of the movie, Warhol doesn’t survive. He is murdered.
Solanis goes to trial, but is acquitted on the grounds that she’s insane. Or some other reason. But she’s acquitted. There is a public outry which leads to the great Pop Art Riots of 1969. Cans of Campbell’s soup are thrown through store windows. Paintings of American flags are burned in the streets. Looters steal silk screen supplies from craft stores. Police officers are unsure how to deal with the unruly crowds, and things get out of hand. The sidewalks are covered with pools of blood or possibly tomato soup it’s kind of hard to tell.
The people revolt and overthrow the government. And now the pop artists and surrealists are in charge.
Jump ahead 30 years. It’s the future, 1999, and society is built around Pop Art. But power corrupts, and over the past 30 years the artists have become drunk with power. Warhol’s prediction that everyone will be world-famous for 15 minutes is now a mandate. Every day, 360 people are chosen by the government to become world famous for 15 minutes.
One day, two young high school kids are chosen, a boy and girl who happen to attend the same school. But they don’t want to be world famous. They’re part of the emerging privacy advocacy movement that wants to return to a time when people could be anonymous their whole lives. So they run.
They meet a group of privacy activists that help people like them through the Velvet Underground Railroad.
The two of them become the most wanted fugitives in the world. And this, paradoxically, makes them famous.
That’s all I’ve got so far.
[This post is part of an idea dump.]
In the years since the TSA started imposing liquid restrictions, I’ve gotten pretty good about making sure I don’t run afoul of the rules. But I sometimes hear other people complain that TSA officers are still not empowered to use their judgment and let you bring an obviously small amount of liquid in a bottle past security if the bottle’s label says it once held more than 3.4 ounces.
For example, if a 12 ounce bottle of water is clearly 75% empty, it doesn’t matter that there’s probably about 3 ounces left. The label trumps all.
So then I got thinking: someone should sell bottles that hold more than 3.4 ounces of liquid but are labeled as 3.4 ounce bottles. Then when you really need to bring 5 ounces of some liquid on board, you can probably get away with it. I mean, the bottle says 3.4 ounces, so that must be all it holds, right? I wonder how big a bottle could be before it got ridiculously obvious that it contains more than 3.4 ounces.
Note: These bottle would, of course, only be sold for novelty purposes, like those fisherman’s rulers. I wouldn’t seriously suggest that anyone try to sneak any extra liquid onto an airplane.
[This post is part of an idea dump.]
Do you know someone who uses excessive exclamation points in their emails, Facebook updates, and tweets? Perhaps it’s time you have a talk with him or her, and suggest they install the Exclamation Point Limiter. It’s a piece of software that runs in the background of their computer and trains them to use exclamation points in a way that doesn’t call to mind F. Scott Fitzgerald’s quote: “An exclamation point is like laughing at your own jokes.”
How does it work? At first, it’s generous. The person using the software gets 15 exclamation points they can use each week. Eventually over time, it winds down to three a week. Each Monday, the counter resets and they get three exclamation points to use however they want. They can all be wasted at the end of one sentence!!! Or they can be used sparingly, and only when truly needed.
For a whole bunch of reasons, I don’t write on Ironic Sans as much as I used to. But there was a time that (I hope) you remember as fondly as I do, when I wrote once a week, usually a creative idea complete with illustrations and half-baked implementations. Ironic Sans was sometimes described as an “Idea Blog.”
I don’t write as frequently, but I still have a huge list of “idea” posts I never got around to, sometimes because I thought a post needed a proper illustration or something, and I just didn’t have time. Well, I’m tired of that list just sitting there, so I’m going to do a big idea dump.
The difference between an Idea Dump post and a proper Idea post, I guess, is that I’m not going to even try to implement them, illustrate them, etc. I’m just going to type it up and cross it off the list. I may do a few at a time, or just one now and then. It depends on how much time I have.
Okay. The first one is coming up shortly.
This summer the New York Times reported that, by one estimate, a third of all consumer reviews online are fake. And 1-star reviews are often misguided or misplaced anger, which can make them pretty much useless. So some suggest that the best thing to do when looking at consumer reviews is ignore all the 5-star and 1-star reviews, and just concentrate on the middle reviews, since that’s where you’ll find the substance. I’ve seen it compared to how some Olympic events throw out the highest and lowest scores to find the true score of a gymnast or diver.
So here’s an idea: how about a browser plug-in that does that automatically? I’d like one that hides the 5-star and 1-star reviews on Amazon, TripAdvisor, and the like (are Apple App Store reviews were available on the web?). But maybe too little data is front-facing, making it impossible without deep access to databases that aren’t publicly available. So I’ll settle for toggles added by the retailers themselves that allow me to turn on and off the high and low reviews.
This is the Best Idea Ever! ★★★★★. I would definitely read this post again!
Well, here’s a supercut of a different kind: the text supercut. Need an example?
Here’s every use of the word “cat” from Dr. Suess’ book The Cat in the Hat:
Cat cat. Cat cat Cat cat. Cat cat. cat. cat. cat cat. Cat Cat Cat cat. cat. cat Cat cat Cat cat, cat. cat cat! Cat
[My first effort was a supercut of every instance of “whale” in Moby Dick. But it turns out the word appears so many times that it ended up being way too large to reasonably share in a blog post.]
About a month ago my son learned to pull himself up to stand on his own. Now that he can stand, he really enjoys his LeapFrog Learning Table. It’s about waist high and has all sorts of knobs and dials and levers and switches that trigger sound effects, lights and music. As he makes his away around the table fiddling with knobs and switches I noticed that he looks a lot like Doctor Who doing the same thing in the TARDIS.
Then it hit me: someone should really make a TARDIS console for babies.
Kids will love the bright flashing lights, the numerous knobs to turn and levers to flip, the central piston, the signature TARDIS groan, and other sound effects and clips featuring characters from the show. One button would play the theme song, and another button would trigger a Dalek voice reciting the alphabet. That’s sure to be a favorite feature of parents and kids alike.
There’s no better way to teach your baby Time Lord about wibbly wobbly timey wimey stuff.
Back in 2008 I launched Thsrs, an online Thesaurus that only returns synonyms shorter than your search query. It was intended for Twitter users who are having trouble staying under 140 characters. It’s still used frequently by a small group of people — a typical busy day sees a few hundred lookups — and I hear from copy editors who tell me how useful it is when they’re trying to write headlines. But I haven’t really done much with it since the launch.
In the meantime, a lot of Twitter apps have emerged with competing features and styles. But as far as I know, nobody has integrated a similar feature in their product. It would be a great tool to have while you’re actually composing a tweet.
So I’m putting this idea out there for any Twitter client who wants to use it, but I’m specifically looking at you, Tweetbot. Add Thsrs to your app so that while I’m in the middle of writing a tweet, I can just highlight the term, tap “Thsrs…” (or whatever you want to call it in your implementation), and get a list of synonyms shorter than the word I’ve highlighted.
I don’t actually know if the iOS API allows for custom features in the copy/paste/etc popup dialogue. But if it doesn’t, I’m sure you can find some other clever way of integrating it. Maybe a Thsrs button on the compose screen next to all those other gear/tag/camera/etc icons?
In early 2008, I coined the term keming, defining it as “the result of improper kerning.”
It’s a nerdy graphic design joke, and it became one of my more popular posts. Readers suggested that I create some keming merchandise. So I did. The t-shirts are the most popular items, but my favorites are the mug and spiral notebook (both of which make excellent stocking stuffers).
I began to dream that the word would be widely adopted and become an actual part of graphic design language. How awesome would it be to coin a word that people actually use?
Well, it turns out that the word has caught on in some circles, and has become common enough that it’s somewhat disassociated with me. I occasionally meet people surprised to discover that I coined it. Well, if you weren’t reading this blog four years ago, I guess you wouldn’t know. So I thought I’d reconnect with the word in a follow-up post examining some of the places I’ve seen it used.
A Design Reference Book
In 2009, Armin Vit and Bryony Gomez-Palacio of the design firm UnderConsideration published a comprehensive reference book on all things design.
It’s called Graphic Design, Referenced: A Visual Guide to the Language, Applications, and History of Graphic Design and it has nothing but 5-star reviews on Amazon. It looks like a pretty nice book. You can see details and sample spreads on their site where they call it “a comprehensive source of information and inspiration by documenting and chronicling the scope of contemporary graphic design, stemming from the middle of the twentieth century to today.”
They reference keming on page 74:
Here’s a detail of the page:
What the helvetica, your kerning has turned into one massive keming fest. What the font were you thinking?
The typographer who worked on that film just pulled a keming by not having equal spacing between each letter in each word in the opening credits.
I ’ mtryingtosetspacing, butIcan ’ tseemtogetthekemingright.
I’m not sure I would say that someone “pulled a keming” but maybe that’s a regional use.
A Whole Blog About Keming
Earlier this year, a designer in the Netherlands named Kilian Valkhof started a tumblr called Fuck Yeah Keming, “a celebration of horrendous kerning all over the internet.” He has some good examples. Check it out.
Redditors have taken a liking to keming, and it comes up often in the comments. Usually the submitted article features some sort of keming, which prompts someone in the comments to say “Nice keming there.” Then someone replies, “WTF is keming?” And then someone else replies with a link to my site.
Update: There’s now a keming subreddit.
So, thanks for keeping keming alive, redditors!
It appears that on three occasions, different people (not me) created Wikipedia pages for keming. All three were later deleted. According to the Wikipedia deletion log the reasons were as follows.
The first time: “Not enough context to identify subject”
The second time: “Patent nonsense, meaningless, or incomprehensible: db|WP is not a dictionary”
The third time: The page was set up to redirect to the entry for kerning, but was deleted after discussion decided that “‘Keming’ is a joke word invented by David Friedman… When the redirect was created the target article referred to the joke, but it’s since been removed due to lack of coverage in any reliable source so the redirect doesn’t serve much purpose any more.”
Indeed, the wikipedia page for kerning has had references to keming written in (not by me) and deleted over the years. According to the revision history, the reference was changed to clarify that “keming is not what ‘improper kerning is called’; it’s a joke” and then removed completely because “the Ironic Sans blog does not appear to be an authoritative source.”
Who, I ask, is a more authoritative source on a word that I made up than me?
Currently, the Wikipedia entry for keming is a disambiguation page, which says “Keming may be… A satirical misspelling of kerning, referring to bad kerning which causes the letter pair ‘rn’ to appear as ‘m’”
If you have to explain it…
Other People’s Products
I occasionally hear from people telling me that they saw keming on someone else’s merchandise. Sometimes people just take my definition and put it on a shirt. That bothers me. But sometimes people come up with other clever uses for keming in joke form. My favorite is the Leam to kem shirt by Able Parris.
Do you use keming to mean improper kerning? Do you ever see or hear anyone else use it? Where else is it being used that I’ve overlooked?
A note about coining this word.
When I wrote the keming post, I first did a Google search to see whether or not the joke had been done before. All I found were a couple references to people with the name Keming, and other proper nouns (a school called Keming, for example). But it was hard to search because the vast majority of results were actual cases of keming the word kerning! A search result would contain the word “keming” but clicking through to the page would show an article about typography scanned in from a book or magazine and put through OCR. Every instance of the word “kerning” turned up as “keming” in Google. Here’s a typical example.
UPDATE: Here’s another great usage. A reader just wrote to tell me that he named his whole company after keming. It’s a technical design studio called Keming Labs. He says, “I really like the term and I ended up using it in my company name (I hope you don’t mind). We do data visualization stuff on the web, and ‘Keming Labs’ sounds serious enough when we meet with clients. It’s easy to tell clients who get the joke though, because they usually chuckle immediately.”
UPDATE 2: This is perhaps the most awesome keming update ever. I’ve known for a while that Google has a hidden joke in their search engine where, if you search for the word kerning you’ll see the word appear in the search results with too much space between each letter. But it was recently brought to my attention that a Google search for keming has the opposite joke. Everywhere the word appears in the search result listing, the letters are spaced too close together!
One of the most popular items you can buy for babies right now is Sophie, a teething toy shaped like a giraffe. There were more Sophie giraffes purchased last year in France, where Sophie originated, than there were babies born. This market needs to be tapped. And that’s why I propose a new line of teething toys shaped like characters from vampire stories.
What better thing is there for your baby to sink her new teeth into than a vampire victim?
As an example I’ve taken the character Jonathan Harker from Dracula and mocked up what he might look like as a teething toy:
Notice the curved arms for easy grasping, and lots of nubby bits for gnawing.
The line would start out with characters from Dracula since it’s public domain, but eventually expand to licensed characters like Sookie Stackhouse, Buffy, and that girl from the popular movies about the glittery vampire.
This has been on my “Ideas to post” list for what seems like a couple years already. I keep going back and forth between “I should just post it as an idea” and “No, I should actually make it a real thing.” And then I go back and forth between “This is a good idea” and “It’s not that good” with the occasional “Maybe it’s an annoying idea” thrown in for good measure.
Anyway, it’s been on my list so long that I think it’s time to get off the pot and just post it. So here it is:
You know how sometimes you get an automated tweet in response to something you wrote? It’s often spammy, but sometimes it’s something strange like @AllTheCheeses that retweets any time someone mentions cheeses. Or @thedreamstream that retweets anyone who talks about their dreams.
I came up with an idea to turn automated retweets like this into a game that’s actually played on Twitter.
I registered the username @twentywords. The idea was that @twentywords would automatically retweet anyone who used one of 20 secret words. By following @twentywords, you could try to figure out what the trigger words are. And the first person to reply to @twentywords with a list of all twenty words wins. Then a new bunch of words are picked and it starts all over. @Twentywords would follow the winners, keeping a running tally of who has won.
Most people wouldn’t know that @twentywords exists until they notice that it retweeted them. They’d wonder “Who is @twentywords and why is he or she retweeting that totally mundane thing I just wrote?” so they’d check out the profile. And in the profile it would explain that @twentywords is a game and explain the rules with a link to more info. It would start out slow but grow organically as more people happened to discover the game because they happened to be retweeted.
That was the idea. One problem I ran into was picking the words. If they’re too common, the account would go crazy retweeting, and it wouldn’t be difficult for people to scroll through the retweets to find the 20 words. And if they’re too obscure, the game would be impossible.
Also, it turns out that many uncommon words in everyday life are still pretty common on Twitter. With 175 million registered user, a lot of obscure words get used a lot.
Hmm. Maybe I’ve accidentally stumbled upon a different game. Is there a Twitter equivalent of Googlewhacking?
How about a TLD for websites that can only be parody, complainy, or snarky? If you want to know about Lady Gaga’s next album, you can go to ladygaga.com, but if you’re really sick of her and want a community of like-minded haters, you can visit ladygaga.ugh and get it out of your system.
I know what you’re thinking: This won’t work because Lady Gaga will snatch up her .ugh before anyone else does. Well, that’s what’s unique about the .ugh TLD. If you snatched ladygaga.com, she could take you to domain name court to get it back. But the rules of .ugh will state that you can do the opposite. Nobody can own the same trademark and .ugh domain. If they do, you can take them to domain name court to snatch the domain and put up a snarky website the way ICANN intended.
This protects brands, also, because they needn’t worry about anyone confusing the .ugh parody site with their own .com site. Everyone will know that comcast.ugh isn’t really Comcast’s website.
I call dibs on uggs.ugh.
You’ve probably noticed QR codes in ads, real estate listings, and band fliers around your town. They look like broken checkerboards or crossword puzzles, with black squares and white squares placed seemingly at random. The idea is that you’ll use your phone’s camera to scan the QR code, and reveal a URL, phone number, or message about the advertiser.
At SXSW this year, I noticed that they were everywhere. Surfaces were covered with fliers and stickers that all featured QR codes. People wore t-shirts promoting their company on the front, with a big QR code on the back. Did people actually bother to scan the QR codes with their phones? I have no idea. But I wished I had the forethought to bring my own fliers or stickers with totally useless QR codes to post hidden among the noise.
So I’ve come up with some useless QR codes just right for stickers and fliers. Maybe you’ll have an opportunity to use them before I do.
You can scan these with your phone (try an app like RedLaser for iPhone or Android) to reveal the messages the way other people will see them. Or, hover your mouse over the code for a second to reveal the encoded message.
Order this sticker here.
Order this sticker here
Order this sticker here
Also available on apparel.
Of course, you don’t have to use my useless QR codes. Make your own useless QR codes and bring them to your next convention, expo, or other gathering.
I’m not the first person to suggest replacing the prevalent 3.5” floppy disk save icon. A quick Google search comes up with several discussions on the topic including a lengthy reddit thread with more than 700 comments.
3.5” floppy disks have been out of use for so many years that I wonder if younger computer users even know what that icon is supposed to be. Here is how it appears in the current version of Microsoft Word for OSX:
Not only don’t people use floppy disks anymore, but the options for saving are even more varied now than simple disk format. You might save to your own computer, or a drive on a server somewhere off in the cloud. You might even be using a program that autosaves in certain intervals without you needing to think about it. Even with a program like that, it would still be nice to know how long its been since the last save.
So then the question is, What do we use instead?
Here’s what I propose: instead of thinking of a file as being saved, think of your file as being in one of two states: it’s in danger, or it’s safe. And I can’t think of any icon to better represent being safe than home plate:
Maybe it’s because baseball season just started, but I think this is a good idea. Let’s think about how home plate could be used:
The “safe” icon is pointy on one end like an arrow. This can be used to indicate where your file is saved. If the latest version of your file is saved locally, it points down. If the latest version of your file is saved on a server somewhere, it points up.
Home plate on a baseball field gets progressively dirtier as the game goes on. When it’s too dirty to easily see, the umpire brushes it off. Similarly, the “safe” icon can get progressively dirtier the longer you go between pressing it. At a glance, you can tell if your file is safe or in danger. And if you go too long without pressing it to clean it off, a little animated sweeping brush appears to get your attention. Even if you’re using a program that auto-saves, the dirt metaphor can still tell you at a glance roughly how long its been since the last save.
For bonus fun, every time you press it you can pretend you’re an umpire and shout, “Safe!” That’s way more fun than pressing a floppy disk.
If this catches on, then no longer will people ask if the file is “saved”, and no longer will anyone have to wonder what that little icon is supposed to be. We can just look at the home plate icon and ask, Is it safe?
Update: Well, it didn’t take very long for people to point out the big flaw with this idea: much of the world doesn’t have baseball and has no idea what home plate is. Woops. But I still like some of the basic premises here. It’s a simple icon that tells you at a glance whether your file is saved locally or remotely, and whether your current revisions have been saved. And it still lets you push the button to update the saved file. So it’s not perfect, but I think it’s a step in the right direction. Sorry about the oversight, rest-of-the-world.
Update 2: Now that both John and Marco have weighed in, I guess I should acknowledge that I understand they’re both right. I’m not so backwards as to think we’ll be manually saving things for much longer, and sure, the best solution to the floppy disk icon issue might just be to wait it out until it’s obsolete. But I still like my idea and urge it to be adopted by anyone writing software for Americans who are baseball fans without internet access or a modern operating system.
Back in August, I envisioned the Make-out Hoodie, a pair of his-and-hers (or whatever combination you’re into) hoodies that form a complete picture when the couple kisses with the hoods up.
This was my concept sketch:
I recently heard from a reader named Nate who said, “Thanks for the idea! My gf and I sewed some simple patches onto some hoodies and they turned out great.”
Here’s their photo:
Macintosh keyboards are typeset in VAG Rounded, a font which happens to have very similar “t” and “f” letterforms. Except for the curve of the “f” they are identical.
The word “tab” on the keyboard is really small. The tallest letter — “b” — is only 3 millimeters tall. Unless you get your eyes really close to the key, it can be hard to see the details of the individual letters.
So I propose that someone should sell novelty replacement keycaps that say “fab” instead of “tab.” It’s pretty easy to swap out keycaps, and you could do it yourself at home in minutes.
Why? Because working at a computer can get monotonous and boring, and this would give you a little secret that only you know, and you could giggle about it in your head every time you press it. Sure, someone else might notice your fab key, but they probably wouldn’t because the letters are so small. And if they do notice, you’ll become known as the person with the quirky keyboard that says “fab” and I don’t think that’s such a bad thing.
But maybe you don’t have a Mac, and your tab key has the more common capital “T” that doesn’t resemble an “F” at all. Well, then get a fab key for a Mac-using friend. They make excellent gifts for Beatles fans, people who work at Farnborough Airport, those in the Bolivian Air Force (Fuerza Aérea Boliviana), or anyone named Fabrizio.
The goal: Erect a monolith on the moon. (See 2001 for reference).
Is there an upper limit to the amount of money you can raise on Kickstarter? Because I guesstimate this project will require about half a billion dollars. So I only need to find 5 million geeks-like-me worldwide who think this is a cool enough idea to donate 100 bucks. That seems pretty doable, especially considering Kickstarter’s rule that nobody has to pay anything if I can’t raise all the money I need, so people can donate with confidence. But maybe my estimate is way off. Here’s my thinking:
Through the power of Google, I found a few estimates on what it would take to get to the moon. They ranged widely. In 2005, a private company estimated that they could send you on a roundtrip fly-by for $100 million, and another private company figured they could land on the moon for $10 billion. My idea doesn’t have to be a manned mission, but it does need to actually land on the moon and erect a monolith. It only has to be a one-way trip, though, which should keep it relatively cheap.
Last year, a kid and his dad in Brooklyn sent their cell phone into space and back on a shoestring budget. Okay, so the moon is about 3,272 times further than the edge of space, but it’s still inspiring.
Nobody would crowdfund a trip to send someone else to the moon, because there’s no incentive. Why should I pay a hundred bucks for you to go to the moon? Why do you get to be the lucky one? But this project is something nerdy folks worldwide could get behind. It’s space exploration and development through private enterprise, and a tribute to great sci-fi. And we can all enjoy the process and the result. Also: Everyone who donates gets a Monolith Project sticker.
So what would be involved in such a project? I have no idea where to begin, except that I know it would cost a lot of money. The money raised would probably be used for engineering, fuel, permits, design, mission control staff, supplies, tools, rent for a place to physically build the thing, other fees and salaries, etc. I’d probably need to start with a project manager, someone to oversee everything. In fact, maybe a lot of the work needs to be done before the fundraising just to figure out how much the whole thing would cost. Maybe I need to have a kickstarter project just to raise the research and development money to figure out how much money I would need for the main project.
Maybe this project should piggyback with some other entity that’s already sending a ship to the moon. Surely there’s a government or private group planning a moon trip that has room for a monolith on board in exchange for some money, right? Maybe that would make this idea less expensive.
What would the design of the monolith be? Aside from having 1:4:9 dimensions, how big should it be? I guess it should be hollow so that it’s light and requires less fuel to carry. I can envision a few monolith designs that pack up flat for transport. Some consideration should be given to how it will be erected. Will it drop down on a parachute and land in one piece? Will it land in a ball and inflate upon landing? Will it require robots to go down and assemble it?
What do you think? If a monolith-on-the-moon project were to be crowdfunded, how would it work? What would need to be considered? What would be the most efficient and effective way to get a monolith on the moon?
Could mankind put a monolith on the moon through micropayments?
Update: A commenter reminds me that parachutes won’t work on the moon because there’s no atmosphere, and I confess that I feel stupid for that oversight. But other than that, this plan should totally work.
I’ve been thinking the past few days about the uncanny valley in animation. I think it could be used as a plot element in a movie. Through some bit of sci-fi magic, an all-CGI character exists in our real world, but nobody accepts him because there’s something just not right about him. He exists in the uncanny valley and so everyone has a bit of revulsion or discomfort about him.
But that’s as far as I’ve gotten. I’m not sure what kind of story would best make use of this idea. How does a CGI character live in our world? Is it a ToonTown kind of thing, where animated characters have always lived among us, and he’s the first CGI character to be born? Or is it magic? I don’t like the idea of magic in a story like this. I think it should either be sci-fi somehow, or just left unexplained.
Maybe it’s a variation on the Pinocchio story. Somehow an old man uses a computer and some unexplained plot device to create a CGI son. But the boy isn’t accepted by the other kids because he’s all CGI.
Or perhaps it’s a variation on the Frankenstein story. A scientist figures out a way to bring a CGI character to life, and the townspeople are so repulsed by this character stuck in the uncanny valley that they turn on him and hunt him down with pitchforks and torches.
Maybe a computer-savvy high school kid figures out a way to bring his online avatar into our world, but now that avatar is stuck here and has to try to fit in. But being in the uncanny valley, nobody can accept him as the new kid in school, and he remains an outsider. Oh, and there’s a love triangle.
It might work best in a short film, where you could get away with having an unexplained bit of magic more easily than you could in a feature. And it would cost less, since the main character needs to be fully computer animated, which could be pricey.
Also, it should be called “CG, I.”
These hoodies are meant to be worn while making out. Only when lips are locked do the images on the sides come together to make a complete picture. They can come in all sorts of designs with different images, scenes, or messages.
For real fun, host a Make-out Hoodie Party. When the guests arrive, they all have to put on a hoodie that has a matching half worn by someone else at the party. When you find the person who has the other half, you make out with them. It’s like a hipster key party.
Previously: Idea: T-Shirts for Hairy-Chested Men
The fighting genre of video games has some crossover titles like the Marvel vs Capcom series that pits Marvel Comics characters against fighters from Capcom’s games. So you could end up with Iron Man fighting a Street Fighter character, for example.
I’d like to see a crossover fighting game that pits characters from various HBO TV series against one another in fights to the death in locations from their shows.
You could have Ruth Fisher vs Larry David fighting on the set of Bill Maher’s show. Or pit Sookie Stackhouse against Rich Hall in the Sopranos’ kitchen. Or Wembley Fraggle vs Ali G in the Crypt Keeper’s crypt.
Everyone would have different strengths, weapons, and special attacks. Hank Kingsley’s all-powerful Hey Now of Death would inflict major damage, but he’d be vulnerable to the Dennis Miller Ravaging Rant and Tracey Ullman’s Go Home Grapple.
It’s a fight to the finish. There can HBOnly one.
The Guggenheim Museum has locations in New York, Venice, Bilbao, Berlin, and soon Abu Dhabi. The New York location was famously designed by Frank Lloyd Wright, and resembles an upside down wedding cake attached to a more conventional structure:
Looking at the spiral, I realized that the inverse of the building might also be an interesting structure. That is to say, if you put a large box around the Guggenheim, and then you remove the space taken up by Wright’s design, you’re left with another design for a building.
This view is from the opposite corner as the first image above. The cutout area facing us is where the tower was attached in the original design. I’ve made this building’s footprint a little larger than the original museum’s footprint to allow for more art gallery space, since otherwise the bowl (left by the cake’s absence) is so large that there’s not much building left.
While this design loses Wright’s skylight, it gains a colosseum-like courtyard that could be used as a sculpture garden, with windows that look down onto it from every floor. Here’s what it might look like if you’re standing in the garden:
Unfortunately, I have no idea what the interior of this building would be like, and I love the interior of Wright’s Guggenheim. I’ve often thought my ideal layout for a museum would just be one long hallway: you start at one end, finish at the other, and you know you’ve seen everything in between. Wright’s spiral gallery accomplishes that, being basically a hallway that follows a ramp. Visiting the inverted building would probably be a more conventional experience of moving from room to room.
Interestingly, the Guggenheim museum recently ran a competition called Contemplating the Void which invited people to re-imagine the museum’s rotunda. Perhaps I was thinking about it subconsciously when this idea came to me today. You can see the contest entries on Flickr and see the winners here.
I don’t know if it’s true for every dishwasher, but mine makes the most soothing sounds. The humming machinery, revolving spray-arms, and trickling water combine to make a churning rhythm that must trigger some subconscious memory of being in the womb. All I know is that I’ve never had a dishwasher that was so relaxing.
It makes different sounds in different stages of the wash. Sometimes it’s mostly white noise. Sometimes it sounds like a babbling brook. Sometimes it’s constant, and sometimes it has rhythm like a mother’s hearbeat. But all of it is blissful.
So how about installing one in the bedroom? If I could hear the dishwasher from my bed, I think I would sleep most soundly. And I’d be more likely to actually remember to run the dishwasher.
Of course it would be a hassle to load and unload a dishwasher in the bedroom. And I don’t have enough dirty dishes to run it every night. So I guess I would settle for a white noise sound machine with a Dishwasher setting. I’ve never liked those machines — the tinny speakers don’t sound at all like the real thing — but as long as they’ve already got settings for Ocean, Summer Night, and Rain Forest, how hard could it be to add Dishwasher? I’d have to hook it up to a speaker system with bass to get the really low churning sounds that are so satisfying.
Here’s a small soundbite of one cycle:
Every device is an eReader these days. Some are dedicated e-ink devices, and some are multipurpose gadgets that have (or will soon have) front-facing cameras. Presumably those cameras are intended for video chat. But as long as the cameras are there, I think eReader software should take advantage of those cameras, too.
Using existing face detection technology, here are some things your eReader could do:
Gather analytics data: Movie studios do test screenings where they gauge how much audiences laugh or cry, and at what point in the movie. Books can’t do that. But what if the book were watching you? It could anonymously (with your consent) send data back to the publisher about where you were in the book when you smiled. This could be good feedback for the author, who would learn which jokes were hits and which were misses.
Dynamically change text size: Instead of setting your preferred font size, you can set your preferred apparent font size. As you move your head closer and further away from the page, the font adjusts accordingly. (Although I can’t come up with a real reason why I would use this feature).
Automatic page scrolling: With eye-tracking, the device could see when you’re reaching the bottom of the page, and scroll accordingly.
Advertising fodder: Imagine an ad for Stephen King’s new book: it’s a photo grid of real people’s faces while they’re engrossed in the pivotal and terrifying chapter where something really gruesome happens. Perhaps the eBook takes the photo without telling you, and it’s saved locally on your device. At the end of the book you get the opportunity to submit it, and you get some cash and a free copy of his next book if they use your photo to advertise this one.
Special edition of 1984: Every time you get to a page with the phrase “Big Brother,” the camera takes a photo of you and posts it on-line.
UPDATE: Well, it didn’t take long for someone to point out in the comments that Wired has already covered this territory. Hrm. I guess I’ll do some more research before I post my other related idea: eye-tracking high dynamic range photos that adjust the exposure according to the part of the image you’re looking at.
Previously: Idea: Fun With Facial Recognition
I’ve launched a spinoff blog from Ironic Sans called Sunday Magazine. Every Friday I post the most interesting articles from the New York Times Sunday Magazine that was published exactly 100 years ago that weekend. You can get each week’s articles (probably one to six per week) by subscribing to the RSS feed, or following @sundaymagazine on Twitter, or by becoming a fan on Facebook.
It is not in any way affiliated with the New York Times. All of the Times articles I post are from before 1923, which means they are in the public domain.
The New York Times Sunday Magazine is full of interesting articles about politics, science, crime, life, language, and human interest. It features fantastic writing and photography. It’s my favorite section in the paper.
It turns out that no matter how far back you go towards the supplement’s 1896 debut, the Magazine Section (as it was called back then) was always filled with amazing long-form articles, including many that are as interesting today as they were then. Some even more so. I stumbled upon this fact on April 1, when I began to get annoyed with every website’s need to pull some sort of prank. I wondered if companies did this sort of thing back at the turn of the last century. Searching for old articles about April Fool’s Day, I found this great article published in the Times on March 31, 1912:
(Note: All images of articles in this post can be clicked to enlarge; even bigger PDFs available via links below each image)
HOW “APRIL FOOL” ORIGINATED AND SOME FAMOUS PRANKS (PDF)
Everything about that article is wonderful. The writing style, the stories, and the illustrations are all quaint by today’s standards, but that makes it all so charming. It’s worth downloading the PDF to read it all, or any portion of it. Here is one of my favorite passages:
A hundred years ago [children] used to say, “Sir, your shoe’s unbuckled.” Today, their successors cry out, “Mister, your shoe’s untied!” A more elaborate piece of waggery has endured up to the present time practically its original form.
“Sir, there’s something out of your pocket.”
“Your hand, sir!”
Or again a boy and a lady enter into this dialogue.
“Ma’am, you have something on your face.”
“Indeed! What is it?”
“Your nose, ma’am.”
In all cases the ultimate rejoinder is accompanied with a burst of laughter and the shout of “April fool!”
Another passage describes a prank pulled by the Evening Star newspaper in London, which comes closer to the kind of corporate pranks we see today, although a bit more mean-spirited:
On March 31, 1846, that paper solemnly informed its readers that a magnificent collection of asses would be exhibited in the Hall of Agriculture at Islington. A great crowd of staring and struggling human being filled up the hall long before noon, and not for some time did it dawn upon anybody that they themselves were forming the collection that had been advertised.
Could you even fill a room today by advertising a donkey exhibit? The article is full of stories like this, pranks and characters long forgotten. I thought I might sit on it for a year, and post it next April Fool’s Day. But I wanted to learn more about the article so I could post it with context. I needed to research the various background characters and then-famous pranksters mentioned in the article to provide annotation. And the more I thought about it, the more I began to wonder: could I find other interesting articles in the Times from around the same period?
I originally found the article on the NYTimes website, where all of their content pre-1923 is freely available, having fallen into the public domain. But their online archives are difficult to browse unless you have specific keywords you’re searching for. I noticed that this article was published on a Sunday, but I didn’t know what section it was in. I didn’t know if the Times even had a magazine back then. To find out, I went to the Microforms Room of the main branch of the New York Public Library.
Sure enough, the article was in the “Magazine Section” of the newspaper. I wondered what other interesting articles I could find the in the Magazine Section. So I rewound the microfilm one week and found the Magazine Section for March 24, 1912.
I think my jaw actually dropped when I saw this:
FRENCH SAVANT TELLS OF LIFE ON VENUS AND MARS: Conditions Resemble Those on the Earth (PDF)
What the hey-now? Check out those awesome drawings. They depict the zoologist Edmond Perrier’s descriptions of “frogs as big as cows” on Venus and “beautiful plumage” of birds on Mars. It’s almost like he imagined the world of Avatar 98 years ago, a bit closer to home. And look at those large-chested Martians with headlights on their fingertips!
Here’s how Perrier described Venus:
The dampness of the atmosphere on Venus favors the growth of ferns. The development of flowers from the more primitive forms of plants must be slow and probably has not yet been accomplished on Venus. This lack means the absence also of bees, butterflies, perhaps of ants and of other insects which depend partly or entirely on flowers for their food.
Venus, then, is the home of insects like grasshoppers, or dragon-flies, or roaches, grown to an enormous size; of large batrachians, frogs as big as our cows, of innumerable and gigantic reptiles like those which once filled our earth, ichthyosauri, pterodactyls, iguanodons. Man is absent; indeed the race of mammals may not yet have appeared, in even the humblest form.
That’s not the case on Mars, where people evolved similarly to Earthlings:
[The Martian] is very tall, because the force of gravity is so feeble; he is very fair, with blue eyes, because there is so little light or heat; his jaws are narrow and the top of his head is large, because he has been evolving away from the animals for a much longer period than we. The Martian noses would be long and the ears large. The Martian’s lungs and consequently his chest would be enormous, on account of the thin atmosphere, and his legs would be very slender, because little effort is needed to walk.
What a find.
This fantastic article seems like something out of Amazing Stories, and it’s just been sitting there in the New York Times Magazine archives for the past 98 years. As far as I can tell, nobody has written about it. A Google Search for the article brings up only one result: the PDF buried in the nytimes.com archive. It hasn’t been mentioned anywhere else that Google indexes, although a little more information is available about the French scientist. (I’ll have more to say about that on the new blog on March 24, 2012.)
I was eager to find other gems like this. But with so many years of archives available, where would I begin? I decided to start with the New York Times Sunday Magazine from exactly 100 years ago, and make my way forward. So I found the microfilm reel for April, 1910. In just the first week’s issue, I found several interesting articles. Zooming ahead, I found several more. Every week there were articles that made me think I just had to write a blog post about this treasure trove of fascinating reading material.
I started working on a post featuring some of the articles I found covering a two month period of Sunday Magazines. Omitting all but the ones I found most interesting, I was able to pare it down to just 30 articles. But that’s still too many to reasonably expect any of you to read at once. That’s 30 articles stuffed into one blog post.
And so I decided the best way to share my findings is to dole out a few of my favorite articles from each week on a new blog: SundayMagazine.org. I have a couple weeks’ worth of posts up, and the next two months’ worth already in the hopper. They range from historically interesting to downright bizarre. I hope that you’ll see it as a new source of reading material. You can find out about new articles, posted every Friday, by subscribing to the RSS feed, or following @sundaymagazine on Twitter, or by becoming a fan on Facebook.
A few weeks ago, I thought to myself, “Hey, someone should make a volume control that doesn’t go from ‘quiet’ to ‘loud’ but instead adjusts the audio from ‘whisper’ to ‘shout’.”
That lead to, “Maybe I can actually build that. It could be funny.”
Then I thought, “I should use the new HTML5 <audio> element. It’s timely. And it’s a good chance for me to learn how it works.”
Then I thought, “But what should I use as the audio sample? I know, I’ll use a recording of myself reciting ‘Mary Had A Little Lamb,’ as homage to Thomas Edison. Because what I’m doing is clearly as revolutionary as what he did.”
Next thing I knew, I was recording myself shouting ‘Mary Had A Little Lamb,’ wondering if the neighbors could hear me, and feeling rather silly. The more I worked on it, the more absurd the whole idea seemed.
But I got it working. Sort of. It only works in Firefox. So,with apologies to people who don’t use Firefox, or aren’t willing to fire it up just for a laugh, here is my revolutionary new audio player that adjusts the volume from “whisper” to “shout”:
(the image is a link to the actual player, which gets its own page)
See also: Garrett Morris
Sometimes I write too-long emails. Before I hit send, it occasionally occurs to me that if I got an email that long I would probably dread reading it. But there are times when a long email is necessary. For example, sometimes you need to tell a company every detail of how awful your experience with their product was before you ask for a refund. Or you need to explain to your boss how much money and resources your company is wasting by not recycling before you pitch your idea to help the environment and the bottom line.
If they can only get through my first nine paragraphs, they’ll get to the part where where you explain why you’re writing.
When I find myself in this situation, I sometimes start the email with the heading: “Short Version:” and then a brief abstract. I give more detail than I could in the subject line, but I still keep it to just a few sentences. I say why I’m writing and what I want from the person I’m writing to.
The I write “Long Version:” and fill in all the gory details in as many paragraphs as I need.
For example, my subject line might say: “I had a terrible time at your hotel.”
The abstract might say: “I stayed at your hotel from January 3-7, 2010 in room 227. It was one awful day after another, the room was filthy, and I think the maid stole my watch. I would like a refund. More details below.”
And then the body would give my long tale of woe about how everything went wrong from the moment I arrived to the moment I checked out. I don’t have to worry that I buried the lede in the last paragraph.
Which gets me to my point: As the occasional recipient of rambling emails, I think this feature should be automatic in email programs. It could be a sometimes-hidden field like the bcc: field is in many email programs, or perhaps a popup abstract field could be triggered when you hit “Send” on an email beyond a certain length. It’s probably too late to make a new field standard in all email, but maybe Google can put it in their Gmail Labs for people like me.
You go through your mundane workday without anything exciting happening. But what if you had a chair that was constructed in such a way that every time you sat in it, there was a 1 in 3,000 chance it would break apart, sending you falling to the floor? You’d have a little bit of nervous excitement every time you sat.
How often do you sit in your chair? Four or five times a day? More? With a 1 in 3,000 chance of falling, you might fall once in a year or two. That’s not too bad. But you’ll be on edge the whole time. Will today be the day? Could be!
How does it work? I haven’t gotten that far. I imagine some combination of engineering and programming. But once that’s figured out, you can go through every workday with the same nervous excitement as a secret agent wondering if today’s the day his nemesis will finally catch up to him. But with far more mundane consequences.
For maximum effect, get one for everyone in your office. Now you’ve got 50 people each with a 1 in 3,000 chance of falling every time they sit. If everyone sits 5 times a day, the odds are that someone will fall once every few weeks. That’s just often enough to give everyone else in the office a hearty laugh, and remind them that they could be next.
I don’t always have time to flesh out an idea as much as I’d like for a post. Or I might decide an idea doesn’t stand on its own for one reason or another. Instead of letting them wallow in obscurity, I occasionally purge several of these ideas in one post. Here is my latest list of remaindered ideas:
1) A sitcom about a ghost and a zombie… of the same guy.
In the pilot episode, Joe’s roommate Ted has a terrible accident and dies. He’s buried in the old cemetery by the town’s nuclear plant. A few days later Ted’s ghost comes home, much to Joe’s surprise. Later that day, Ted’s zombie corpse shows up to. How will the three of them get along, with all the problems inherent to being a zombie, a ghost, and a single twenty-something grad school student, in an apartment that was just large enough for two people? Hilariously.
I only have one line written so far: “Hey! The brain in the fridge was for biology class!”
Has there ever been a story about a ghost and zombie of the same person before? Does that violate the rules of undead characters in fiction?
2) A map of Earth inverted.
What would Earth look like if it were inverted? The lowest valleys become the highest peaks and vice versa. Where would the lakes and oceans be? How high would the highest mountain be? And what would the new land masses, trade routes, and waterways suggest for an alternate history on this inverted Earth?
3) Shel Silverstein’s “The Missing Piece” reimagined as a pie chart.
I thought this idea had potential as something, but it never went anywhere.
4) Twitter as a simulation of OCD
Obsessive Compulsive Disorder sometimes manifests itself as a need to count words and letters. Some people who suffer from OCD need to make their sentences end on a certain word count. I’ve never been this way. But one day as I was having a hard time recomposing a Twitter message to make sure it fits within the 140-character limit, it occurred to me that this may somehow be similar to the frustration a person with OCD feels.
What do OCD sufferers who need to count letters think of Twitter? Does their OCD make it more frustrating? Or is it no more frustrating than any other task? Is there anyone out there whose particular manifestation of OCD already means that they have to write in 140 characters or less?
5) A mashup of “Back to the Future” and “Speed”
“You built a Time Machine? Out of a city bus?”
It seemed like a good idea until the Libyans rigged the bus with explosives to get back at Doc for stealing their plutonium. Now if it goes below 55 MPH, the bus explodes. But if it goes over 88 MPH, it travels through time.
6) A tribute to Bib Fortuna, set to the song “O Fortuna”
I don’t really have any interest in doing this. I just like the idea of it.
I’m very excited to announce that the Bulbdial Clock I envisioned almost two years ago is now available in time for the holiday season!
The geniuses at the Evil Mad Scientist Laboratories have done all the hard work to make the Bulbdial Clock available as a kit that you can put together yourself with just basic soldering skills*, or give to a loved one for the holidays. Check out their blog for an article about the kit, showcasing some of its features.
Then head on over to the ordering page for information on availability, styles, accessories, and prices. Here are some of the other styles:
*If you’re not sure you have basic soldering skills, visit this page to learn what tools and knowledge are recommended for assembling this type of kit. There are a few YouTube videos you might find helpful, too. This one covers basic soldering technique, and this short clip demonstrates soldering a component to a printed circuit board like the Bulbdial Clock.
See we had this assignment, to make this ceramic elephant, and um—and we had eight weeks to do it and we’re s’posed ta, and it was like a lamp, and when you pull the trunk the light was s’posed to go on. My light didn’t go on, I got a F on it.
Last week, Jerry O’Connell was on Martha Stewart’s TV show. You might remember Jerry as a young actor in such 80s hits as Stand By Me and that early
FOX CTV show My Secret Identity. She showed him how to make a wood bunny lamp for Jerry’s new twins’ nursery. They sawed, drilled, hammered, glued, and assembled the lamp, just like shop class.
I landed on the show while flipping through the channels and it caught my eye because I suddenly realized that the 80s actor I really want to see make a lamp on Martha’s show is Anthony Michael Hall. Martha can show him how to finally make an elephant lamp with a light that turns on when you pull the trunk. Who do I need to talk to for this to happen? Do I need to start a petition? Does it need to coincide with something for him to promote? The eventual Breakfast Club release on Blu-Ray, perhaps (whenever that happens)? What would be a better promotional event than this one?
2010 is the Breakfast Club’s 25th anniversary. How can we make this happen?
Previously: The Breakfast Cereal Club
As the Democrats in Congress are struggling to get the rest of America on board with their proposed health plan, I can’t help but wonder if a better name wouldn’t help. Take a page from the Republican playbook. They give bills names that are loaded with meaning and are difficult to vote against without looking bad. Who would vote no on something called No Child Left Behind? Who wouldn’t support the USA Patriot act?
So I propose that the Senate rename their bill the American Legislative Insurance For Everyone act, a.k.a. the American LIFE act.
Who could vote against the American LIFE act? What Senator wants to be up for reelection and hear their opponent ask “Why did you vote against American LIFE, Senator?”
I floated the idea on Twitter and while many people thought it was a good idea, others rightly pointed out that the word “For” is often omitted from acronyms, so Republicans could just call it the American LIE act. That’s a good point. So make LIFE stand for something else. Or come up with another acronym. But a good name could help keep Republicans from defining the bill how they want people to see it.
NOTE: See update at bottom of entry for instructions on converting your whole Address Book to bookmarklets at once.
Apology in advance: If you don’t have an iPhone and Google Voice, this entry will have limited appeal. Unfortunately, iPhones are pricey and not everyone’s cup of tea. But the good news is that Google Voice is free.
Those of you who follow tech news know that there’s been quite a dust-up recently over Google Voice apps on the iPhone. First they were allowed, but now they’re banned. So until they work things out, or Google comes up with a more elegant web-based solution, placing a call using Google Voice on the iPhone is a long and drawn-out process.
I think I’ve come up with a simpler way.
I’ve put together a web app at http://www.ironicsans.com/gv that generates bookmarklets for anyone you want to call with Google Voice, allowing you to organize your contacts as Safari bookmarks. You can arrange them in folders, and then dialing from your bookmarks is as simple as dialing from your normal Contacts app: just tap to dial!
Setting up the first phone number takes a few more steps than I’d like, but after that the rest are easy. Maybe you won’t want to take the trouble to add everyone from your Address Book, but it’s easy to set up a “Google Voice Faves” folder with all your most-called people.
Just point your iPhone to ironicsans.com/gv to get started.
NOTE: No phone numbers or any other information are sent to my server. All the magic happens on your end. And this is in no way affiliated with or endorsed by Google.
Update: See also this Python script (with instructions for use) submitted by a reader in the comments that will take all of your Address Book contacts and convert them to bookmarklet links in an html file. You can import those links to your Safari bookmarks and then sync with the iPhone.
I have not yet tested this. I had to make one small fix (it swapped the phone numbers around), but it works!
The Associated Press has an ongoing problem with misappropriation of AP articles. Facts are not copyrightable, but the AP says they find entire articles reprinted by websites that aren’t licensed to publish AP stories.
So the AP made a confusing announcement this week, outlining a new approach in protecting its content. To some, the AP seemed to be suggesting they could actually prevent people from copying their articles the way DRM can prevent copying of movies and music. But it was pointed out that copying text is pretty trivial, so this sort of “DRM for text” is not possible.
But what if there were something low-tech the AP could include in its articles that actually made a difference? It won’t physically prevent copying, but it just might deter it.
There was quite a buzz in the news a few years ago when a Newcastle University research team discovered that people are more honest when eyes are watching them, even if the eyes are fake.
At the time, psychologists said, “It does raise the possibility that you could get people to behave more cooperatively… by putting up pictures of eyes,” and, “It would be interesting to know how one can apply these sorts of findings more generally in organisational structures and in society in general to maximise upon honourable and altruistic behaviour.”
In the original test, a photocopy of eyes placed above an “honesty box” in a canteen made people more likely to pay when taking a drink. If a mere photocopy will make people honest, maybe a more abstracted set of eyes can still have an effect. I propose an experiment.
This is how the AP currently formats its datelines:
NEW YORK (AP) — A judge ruled Thursday…
I propose a small change:
NEW YORK (AP) Ó›Ò — A judge ruled Thursday…
Yes, that’s right. I’m suggesting that the AP begin putting a little face in all their datelines. It’s the Smiley as copy protection. The AP could come up with their own set of ascii eyes, brand it, and include it in every dateline from now on. They could even pretend it has some other official function, like it symbolizes the AP keeping its eyes out for news. But people would see it and know what it means: “This is an AP article. Please don’t steal it unless you would do so even with your own mother watching.”
Then, when wayward bloggers prepare to copy and paste an AP article, they will be faced by those staring eyes. Maybe they’ll think twice. Maybe they won’t even know why. And then, when they choose to summarize the facts of the article instead of copying and pasting it, the smiley as copy protection will have done its job.
Instead of hiding your outlets behind furniture and worrying about the mess of wires tangled behind your entertainment center, consider making an entire wall that’s nothing but outlets. Then you can artfully plug in your appliances wherever the cords look pleasing to you.
Imagine no more crowded outlets or multi-plug adapters.
Of course you don’t have to actually wire all the outlets on the whole wall for electricity, but you’d better come up with a good way to remember which ones are live.
Sometimes it’s not appropriate to have my cell phone ringer on (like at the movies, for example), so I set the ringer to vibrate. It’s not a big deal if I forget to turn it back on right away because I keep my phone in my pocket, so I’ll feel the vibration when I get a call. But sometimes I come home and empty my pockets and forget to turn the ringer back on. I’ve missed calls because I didn’t hear the phone vibrate from across the room.
The phone has an accelerometer built in. So how about an optional setting for vibrate mode called “motion-sensing vibrate”? If it doesn’t detect any movement for, say, 15 minutes, it would automatically turn the ringer back on, and also make a noise if I missed a call in those 15 minutes so I know to check my messages.
Before automatically turning the ringer back on, it could vibrate steadily for 15 seconds as a warning indicator, just in case the phone is still in my pocket but I’ve somehow managed to stay perfectly still for the past 15 minutes (which seems unlikely to me). This would give me fair warning that the ringer is going to turn on so I can override it if needed.
Of course, if you keep your phone in a bag or purse, you would not want to use this setting.
Just about a year ago, I came up with a concept for a clock whose hands are shadows projected by bulbs shining on a center post. I called it the Bulbdial Clock, and my concept design looked like this:
Well, I’m thrilled to see that the evil mad scientists over at Evil Mad Scientist Laboratories have actually built a working model! They posted lots of pictures, and it’s pretty awesome:
Head over to their site and see how they made it. They’re considering making a kit available so people can build their own Bulbdial Clocks. If you’d like to see that happen, let them know in the comments on their blog.
Update: Kits are now available! Visit EMSL for more info.
As the weather gets warmer, smooth-chested guys nationwide will be hanging out shirtless in parks and on beaches. A hairless chest is so trendy these days that it’s practically a fashion accessory. But what’s a guy with a hairy chest supposed to do? How can he incorporate his hairy chest in his own fashion?
Well, that’s why I’ve come up with T-Shirts for Hairy-Chested Men, with strategic cutouts that allow your hairy chest to show through. They could feature portraits of famous curly-haired celebrities like Jimi Hendrix, Bob Dylan, and Harpo Marx (for blondes). At last, the Hairy-Chested Man can finally showcase his own natural chest hair with style.
The movie begins in the middle of a chase. Our hero, Buttons, a scrappy little dog, is running as fast as he can through dark and scary woods. A pack of slobbering wolves are hot on his heels. We hear Button’s cute voice saying lines like, “Oh, no! I’ve got to outrun these guys!” His lips don’t move when he talks. We just hear his voice, like in the Talking Dog Movies of the 1980s.
The thick woods reach an end, and Buttons is in a clearing. It’s bright, sunny, and he can see his home out in the distance at the edge of the field. His owner, a young boy, is standing outside calling out his name. “Buttons! Buttons! Where are you?” Buttons is running his little heart out, saying things like, “Tommy! I’ve got to reach Tommy! Almost there! I’m coming, Tommy!” The wolves are close behind. Buttons reaches Tommy and jumps up into the safety of his arms. The camera swirls around them, joyous music swells, Buttons licks Tommy’s face, and the wolves cautiously retreat back into the woods.
Suddenly, in voice over, we hear a gruff voice saying, “Wait a minute, wait a minute. What the hell is this crap? How many times have I said I’m not going to be in any more cheesy kids’ movies?” The chase scene ends abruptly, and we find ourselves in a Hollywood movie producer’s office. This is the Real World. Seated around a table are several people, and a dog. It’s the same dog we just saw. Or, rather, it’s the Dog Actor named Buddy Duke, one of the most famous actors in the world. With him are several humans: his manager, his agent, his assistant, his bodyguard, a producer, a director, and a writer. They’re pitching a new movie to Buddy, and we’ve been watching the corny scene they’re describing to him. Buddy hates it.
Here in the Real World, when Buddy speaks, we do see his lips move. In fact, all dogs can talk in this world, and their lips move like in any modern Talking Dog Movie. They have normal jobs, just like people. They work in every industry, alongside humans. But when humans speak, on the other hand, we don’t see their lips move. We just hear their words as voice overs. Preferably, the voices will be done by different actors than the ones we see on-screen. So the human actors on screen will have to act with body language and facial expressions alone, and then their voices will be supplied by other actors in voice over.
Buddy is pissed at this waste of time, and he leaves, followed by the studio people begging him to make the Buttons movie. He makes a sexist comment to the receptionist, a hot young poodle, on his way out.
Outside, Buddy’s assistant takes a phone call on his Blackberry. It’s Buddy’s Mom, and she needs to talk to Buddy right away. The assistant puts a little Bluetooth headset on Buddy (who relies on his assistant for these sorts of things, since he has no opposable thumbs). His mom is in a panic. “Buddy, your father has disappeared. He said something about digging up old bones, and left to go back to the old house in Montana. This was a week ago, and I haven’t heard from him since! I’m worried that something’s happened to him!”
Well, Buddy remembers the old Montana house, and the hiking trips he used to take with his dad in the woods nearby. He remembers that they’d go fishing, and sometimes his Dad used to leave Buddy by himself while he’d wander off alone, and he always came back with his paws dirty. Maybe he was burying something secret? Something that, after all these years, he had to go dig up again? What could it be? Treasure? A body? Bones?
Only Buddy knows where that old camping spot is, so he has to fly back to Montana to visit his Mom, and then venture out into the woods to find his Dad. But, being a big movie star now, he brings along his assistant, his bodyguard, his manager, and his agent, because he’s too big a celebrity to go do something like this by himself. And he has no opposable thumbs, so the extra human hands are helpful.
They all spend the first full day in Montana hiking in the woods. Every twist and turn looks identical, but Buddy knows exactly where he’s going. It’s a two day hike, so eventually they stop and set up camp for the first night. They build a campfire, and Buddy tells a heartfelt story about growing up in Montana with his father as his best friend. After dinner, everybody retreats to their tents, and they fall fast asleep.
In the middle of the night, a bear enters the camp looking for food. Buddy wakes up. The bear is spooked by the noise. It tears open Buddy’s tent, grabs him in his teeth, and throws him against a tree, killing him instantly. Everyone else wakes up, scared to death. They manage to get away from the bear safely and regroup to assess their situation.
Buddy is dead. It’s the middle of the night. There’s an angry bear nearby. And the assistant, the agent, the manager, and the bodyguard are all in the middle of the forest with no idea how to get home.
And thus begins the real adventure in the movie. It’s not your usual talking dog movie because as of this point the humans take over as the main characters. They are four scared people in the middle of the woods who now have to find their way home. Do they try heading straight back? Do they continue trying to find Buddy’s Dad? Do they unravel the mystery of whatever it was he buried? Do they get along? Do they fight? Do any of them have any wilderness survival training at all?
Other plot points I’ve considered: At some point the humans find themselves running as fast as they can through the woods, trying to outrun a pack of wolves who are chasing them. Also, maybe Buddy had a rival (who the receptionist poodle was in cahoots with?) who had a hand in Buddy’s misfortune. Perhaps he sends the wolves to go after the humans, to tie up loose ends. Also, at some point maybe the humans meet an old Dog Hermit who lives in the woods. I’m not sure what purpose he plays to the plot yet, but he might know something about why Buddy’s dad disappeared.
While you’re pondering those plot points, just try to remember that the actors’ lips never move in this world, and their voices are supplied by other actors. But the dogs all talk like normal people. It’s a 1980s talking dog movie flipped upside down. I guess it’s a big high concept, and it probably couldn’t sustain more than 90 minutes without getting old, but I’d sure get a kick out of it.
I go to the grocery store, and I see delicious-looking ripe bananas. I buy three of them, figuring I’ll eat them over the next day or two. Inevitably, I don’t eat as much banana as I think I will, and one or more of them ends up getting overripe and rotten before I have a chance to eat it. Into the garbage it goes.
Next time I’m at the grocery store, I think ahead. I’ll buy some not-yet-ripe bananas so I have them when I want them. Of course, inevitably I overestimate the ripeness and bite into a banana that isn’t ripe yet. Have you ever eaten an unripe banana? Gross. Another banana wasted.
Grocery stores should sell progressively packed produce. Instead of buying a bunch of bananas picked at the same time, you get a packaged bundle of bananas (or other quick-to-ripen food), each at a different stage in ripeness, with stickers on them telling you in which order you should eat them. Sure, there would be a premium attached to progressively packed produce to account for the back-end difficulties, but just think of the savings in wasted food.
[Original banana photo by Jason Gulledge via Flickr]
A couple years ago, I thought it would be fun to make an old school geeky Sierra-style adventure game using Adventure Game Studio. I got far enough to realize that it would take a lot more time (and probably skill) than I had to make it. But I did do some work sketching the game on paper in a spiral notebook which I happened to come across this week. I’ve scanned in some pages so I could show you the aborted adventure game I never made.
I hadn’t settled on a name for the game, but I thought about calling it “Blogosphere” or “Blogosfear” or “Blogosphear.” The opening animated narrative would introduce you to the protagonist “Dave” who was staying up late reading blogs instead of going to bed. Some sort of mishap (energy drink spilled on the computer?) was going to start a chain of events that digitally teleports him into the internet. The teleportation was going to look like Flynn being digitized in Tron.
So the gameplay begins with Dave finding himself materialized in a waiting room like one would find in a doctor’s office:
The only door, with a sign reading “Blogosphere,” is locked. But when Dave pulls a number from the “Take a Number” display, the receptionist’s window opens. The receptionist was to be played by Clippy the MS Office Paperclip, who has had to find other work since he’s no longer employed by Microsoft. Through witty interactive dialogue, Dave would protest that he doesn’t belong there and needs to get back home. Clippy would explain that once you’ve entered the blogosphere, the only way to cancel your account is to consult the Great and Powerful Eula. And this sets up your adventure to find Eula and learn how to get home. Clippy buzzes Dave through the door to start his adventure.
The next room is the BlingBling room:
This room has an airport-style metal detector which doesn’t allow anyone through to the blogosphere with anything in their pockets. The sign says “BlingBling: the Gateway to Wonderful Things.” The gateway is guarded by Cory Doctorno and Jenny Gardner. The walls are covered with banner ads for t-shirts. Dave turns over his belongings, which means he starts his adventure with nothing. Cory and Jenny explain that to find the Great and Powerful Eula, Dave should follow the Yellow Paved Road. He continues on his way.
The next screen reveals that the Yellow Paved Road isn’t very long. In fact, the Great and Powerful Eula’s place is right next door.
Eula is a big floating head, a la the Wizard of Oz, but I don’t remember why I gave him glasses. Anyway, he tells Dave that in order to get back home, he must bring Eula the broomstick (or something) of the Wiki Witch of the Web. That’s the real goal in the game.
This is a path away from Eula’s place. There’s a path to the right, but up ahead there’s a building in the distance that looks like it’s made out of giant forks.
It is made out of giant forks. It’s Fork.com.
Inside Fork.com you meet Drew Curtains. He sits on a throne of forks. He has chandeliers made out of forks. He’s kind of obsessed with forks. Somehow this would have figured into a puzzle.
Taking the other path would have brought you to this rundown shack. It’s Jason Tchochke’s place.
Inside, Tchochke’s place is full of shelves and shelves of various tchochkes. Somehow this would have figured into a puzzle.
Further along the path you would encounter the domain of the Wonkess. It’s supposed to be reminiscent of the White House.
Inside, the Wonkess sits at a desk in an oval office. I’m not sure exactly how, but somehow this would have figured into a puzzle.
Further still along the path lies a sign that says “Dig.” At first you can’t do anything here, but eventually you would find a shovel, and you could come back here to dig.
An animated cut scene would have simply shown you digging into the ground. It would either be visually similar to a scene from Dig Dug, or (as shown here) you would see the fossilized remains of video game characters buried in the ground.
Eventually you would break through to the underground lair of Kevin Rouse, wearing a backwards baseball cap and headphones. He was going to be a bit crazy, throwing piles of money in the air, since an article in BusinessGeek Magazine said he’s worth $60 million, so he took out a loan. In the background is the secret elevator that would take you back up to the grassy patch where you started digging.
This is PooTube. It’s a series of tubes. One of the tubes has a door on it. As you approach the door, a mechanic was going to pop out from behind a tube and tell you that you don’t want to go in there. He’s the character you interact with here. Not sure what he was going to say, though.
This is the entrance to Slashbot, a company that makes Robots for Nerds. There was going to be a puzzle that requires you to come here and retrieve an iPod that contains some secret information on its hard drive.
Inside, there would be nothing but empty cubicles as far as the eye can see. Nobody works here anymore because they’ve all been replaced by foreign workers. But one computer was left on to keep an eye on things. His name is CAL.
He has the iPod that you need, but he keeps it locked away in a special iPod bay. This is all a convoluted way of getting you to say, “Open the iPod bay door please, CAL.” And then he can say, “I’m sorry, Dave, but I’m afraid I can’t do that.”
Elsewhere, you would come across the entrance to the Huff’n’Puff Post newspaper.
Inside the building’s art deco lobby would sit a security guard. Somehow there would be a puzzle you would need to solve in order to get past him, possibly posing as a bicycle messenger.
A lovely animated cut scene would show you going up in an elevator to the top of the building.
Eventually you would get to the office of Ariana Huff’n’Puff. But she speaks in such a thick accent that nobody understands a word she says, so her assistant is also her interpreter.
That’s about as far as I’d gotten. I had some ideas for what kinds of puzzles you’d actually have to do, and what the dialogue trees would be like, but I didn’t write any of that down. I did make a list, though, of websites and other things to lampoon in the game. I brainstormed what the parody names could be for real websites. This is what the list looked like:
The previous “I wrote it, you made it” posts have been examples of people who executed an idea I proposed. But this time I’m writing about people who took one of my ideas to another level altogether.
In September, 2007, I demonstrated how an image can be hidden in the histogram of another image. The example I used was the New York City skyline…
…hidden in the histogram of a simple gradient:
I followed that up by writing about Josh Millard, a reader who figured out how to embed the histogram in a more recognizable picture than just a gradient. He was able to embed the NYC skyline histogram in the original source image of the NYC skyline!
But I never wrote about what Stewart Smith did with this concept. He took the idea in a different direction, wondering if it would be possible to embed an actual word or phrase in the histogram of an image. So he developed Histoface, a web app that allows you to generate a gradient which contains a secret message in the histogram.
So this image…
…has this histogram:
It should be obvious that it says “STARWARS” but unfortunately not all the letters in the typeface are as easy to recognize as these. It’s difficult to create recognizable letters that work in a histogram. But I give Stew major credit for making it this good!
I’d love to see a combination of Stew’s project and Josh’s project, allowing you to type a message and hide it in the histogram of any grayscale image. Who wants to work on that?
Back in November, 2006, I posted an idea for a commercial I’d like to see. Some time later, I was contacted by Ethan Cushing who wrote, “I am a director trying to expand my reel and would love with your permission to hire a crew, rent some great HD cameras, and film [this].”
So without further ado, I now present… the commercial:
Nice work, Ethan! Going back and reading my original post, I was surprised to realize that he more or less used what I wrote verbatim. If I’d known that would happen, I would have spent more time crafting the dialogue.
Incidentally, I’d still love to see this battery commercial concept turned into reality. It would require a bit of F/X trickery, I think. If anyone wants to take it on, go for it.
Previously: I wrote it, you made it: Montris
Sometimes I post ideas that would blow me away if they could actually be made real (I’m still waiting for someone to build an Ant Desk). But occasionally I do hear from people who have taken one of my more practical ideas and actually turned it into reality. I keep meaning to write about them, so I’m starting with this one: Montris.
About a year ago, I came up with an idea for a game I described as Tetris, one brick at a time. I called it “Montris.”
I was eventually contacted by a reader named Chris Kastorff who decided to make a working Montris game. We discussed various factors that would affect game playability: The number of colors, the width of the playing field, etc. He wrote a proof-of-concept game that allows users to adjust all of those factors. (Note: In his conceptual implementation, bricks do not fall on their own. You must press the down arrow to progress the game).
More recently, I heard from a reader who has actually taken the concept and fleshed it out completely into a functional game! He calls it Sirtet. You can find it along with other games on his website.
I like that he penalizes players for making pieces of more than 4 squares. It adds another level of complexity to the game. Nice work!
Time-lapse portraits of a face may be the most obvious and compelling subject matter, but I think science and curiosity might benefit from time lapse portraits of other body parts, too. What if Noah had been taking a second picture all this time, of, say, his left hand? It would be interesting to see how his hand ages along with his face. There probably wouldn’t be much change now, but as he ages it would get more dramatic.
Less subtle and more interesting would be a couple who starts this project with a newborn baby, photographing its hand every day. We might not have as emotional a connection to a hand as we do a face, but wouldn’t it be cool to see a real person’s hand grow and change over a lifetime?
(I’m both entertained and disturbed by the thought of a day when this kid discovers that not all parents photograph their kid’s hands every day; and then the day he rebels as a teenager and refuses to let his parents photograph his hand anymore; but not until after he has a conversation where he tells his friends, “Sorry I can’t hang out longer, but I’ve gotta get home so my parents can take today’s hand picture.”)
Treadmills and other aerobic exercise machines are pretty sophisticated these days. The ones at my gym feature touch-sensitive computer screens that you can use to track your progress, watch TV, or even control your iPod.
But some people see the treadmill as a good place to get some reading done. I see them struggling to figure out how to place a book or magazine on the machine without it falling, and even with a Treadmill Book Holder, it can be awkward to turn the pages. Plus, you have to carry all that around with you when you’re done running but still want to work out. It looks like a pain.
So how about adding an eBook reader to the list of treadmill features? The touch-screen computer is already there, so it seems like a very simple feature to add. It can be preloaded with hundreds of public domain classics. Just tap the screen to turn the page. By issuing gym members a PIN number, the treadmills could keep track of what they’re reading and what page they left off on. It could even be an outlet for selling new books. And the gym could have deals with magazine and newspaper publishers to provide their content as well.
A full fledged web browser with all my RSS feeds would be too difficult to navigate while exercising, I think. But a simple eBook reader could be just right. They could call it the tREADmill.
I currently have 4 episodes of the TV show “Terminator: The Sarah Connor Chronicles” on my DVR waiting to be watched, but I think I’m just going to delete them. I can’t imagine wasting 4 hours catching up on that show. It’s boring. Each episode is just like the last one.
Now there’s another Terminator movie in the works. I’ve seen the trailer. I can’t say I’m very excited about it.
Why does Skynet keep sending Terminators after Sarah Connor? Or even John Connor, for that matter? Why not go back a hundred years, or two hundred years, and kill her great grandparents? Now that would make an interesting show (or movie, or comic book, or novel).
Future John Connor would surely send a human into the past to stop the Terminator from killing his great great grandparents. So how does this person fight against a robot killer in an age when technology is so primitive, using his knowledge from the future? And how does the Terminator blend in? What materials does he use to repair himself when he’s been damaged? Over time, as he gets more and more damaged, does he go from glistening machine to steampunk hodgepodge of parts?
I think there’s a lot of potential for period Terminator stories. Maybe there’s an 18th Century Ireland Terminator trying to kill Johnny O’Connor before he comes to America. Or a Dark Ages Terminator who’s trying to kill Sarah the bar wench. Primordial Ooze Terminator could have a heck of a time figuring out which slime mold eventual produces offspring that evolves into the Connor line.
The possibilities are endless. So why are they limiting themselves to telling the same old story the same old way time after time?
Last summer, I posted my Top 5 Remainder Ideas, a sample of the many ideas I’d jotted down as potential posts but decided weren’t worth fleshing out for one reason or another. Instead of letting them wallow in obscurity, I purged them in one post. Well, it’s time to do it again. Here are 5 more ideas that didn’t get fleshed out enough to stand on their own.
Remainder Idea #5: TypOs Cerael
There are a lot of “O”s cereal names out there: Cheerios, Toasty-Os, etc. I had this idea that there should be a Typos Cereal. It would be made of all the letters of the alphabet, like Alpha Bits cereal, but you wouldn’t spell anything correctly with it. I only got as far as this rough illustration before I remembered that “O”s cereals don’t use the whole alphabet. They only use the letter O. Then I considered a soup called “Type O” Soup. It’s tomato soup with alphabet noodles. But that’s just too many layers of wordplay.
Remainder Idea #4: “Dear Juno”
At the end of the movie Juno (spoiler alert), Juno gives her baby up for adoption. I found myself wondering what will happen, fourteen years later, when that little girl decides she wants to know more about her birth mother. Her mom will say, “I guess you’re old enough to know that shortly after you were born, some people made a movie about how you came to be with me. The movie is called Juno, which is your birth mother’s name.” So the kid watches the movie, and then goes through the proper channels to get Juno’s mailing address. She sits down and writes a letter to her birth mother where she says she has so many questions now that she’s seen the movie. Questions like, “If your hamburger phone worked so poorly, why didn’t you just get a normal phone?”
Remainder Idea #3: Unsuccessful Children’s Books
I once doodled a drawing of Clifford the Big Red Log. I figured that must be the most dull children’s book ever. Then I began imagining other unsuccessful children’s books like Charlie and the Chalk Factory, Reverend Horton Heat Hears The Who, and The Berenstein Bears (about a family of burly gay men).
Remainder Idea #2: An Armored Bear Rug
Did you see The Golden Compass? I don’t advocate killing animals to decorate your home, but I couldn’t help imagining that those Armored Bears would make great rugs. Throw a cushion on the big helmeted head and you’ve got a nice seat, too.
Remainder Idea #1: The other Six Degrees of Separation
We’ve all heard the theory that every person on this planet is separated by every other person by six degrees. But one day I realized that something else is separated by six degrees. Every minute on a clock face is separated from the previous and next minute by six degrees. I think there might be something interesting that an be done with that concept. I tried coming up with a clock design incorporating the idea, playing with the six on the bottom of the clock in the designs, but I wasn’t crazy about anything I came up with.
Bonus Remainder Idea: Blabacus, the Blogging Abacus
I have no idea what I was thinking when I wrote down “Blabacus, the Blogging Abacus.” I must have though it was a good enough idea to write it down, but now I just stare at it wondering what I could have possibly been thinking of. Blabacus the Blogging Abacus. Is that an Abacus that has a blog? Is that an Abacus that is used as a tool for blogging? I have no idea.
I know, I’m late to the party. The internet has already had plenty of discussions about the iPhone’s lack of cut and paste, and many proposals for how it could be implemented. Some people suggest complicated multitouch gestures, double-taps, or buttons with pop-up submenus you slide your finger over. Others change the iPhone’s default behavior too much. These aren’t intuitive to me. I want a solution that’s easy to use and doesn’t get in my way. It’s there when I need it, and it disappears when I don’t.
Now that I’ve had a chance to play with the iPhone for a while, I’ve come up with my own proposal. I don’t know how to make a working demo, so I’ve made some screenshots to help explain my concept. I think it feels natural, while being simple and unobtrusive.
Let’s start with some text so we have something to work with:
Holding your finger on a word currently brings up a Magnifying Glass that helps you place a cursor where you want it. My suggestion: Whenever you go into Magnify mode, the bottom row of the keyboard is replaced by one large “Hold to Select” button.
Using this button to select text should feel familiar because the action is the same as selecting text on a Macbook’s Trackpad. I normally use one hand with a Trackpad, but I find using two hands with the iPhone feels surprisingly natural because my thumb is already in a good position to press the button:
If you only move the cursor without pressing the “Hold to Select” button, the bottom row returns to normal when you let go. But if you do select text, then the “Hold to Select” button is replaced by four new buttons: Cut, Copy, Paste, and Cancel.
After you make your choice, the action is carried out and the bottom row returns to normal. I’ve selected “Cut” in this example.
When I’m ready to paste, I once again use the Magnifying Glass to place the cursor. The “Hold to Select” button comes up again but I’m not going to press it this time (although if you want to replace text, you can select a whole block of words to paste over).
If I I had nothing in my clipboard, then the bottom row would go back to normal when I release the Magnifying Glass since I didn’t select any text. But I do have something in the clipboard, so I my options are shown again.
I select “Paste” and the word in my clipboard is inserted at the cursor. The keyboard bottom row returns to normal.
In the preferences, I can decide when I want the clipboard to be cleared out. I think it makes sense to empty your clipboard every time you paste, but other options are useful in case you need to paste the same text multiple times.
This method of cut and paste also works with non-editable text where you don’t have a keyboard. If you want to copy text from Safari, for example, you hold your finger in one spot until the magnifying glass comes up. The “Hold to Select” button slides into place from below [animated gif], temporarily covering the navigation bar. Because the text is not editable, the paste and cut buttons will be inactive.
That’s the best cut/paste implementation I could think of. It doesn’t change the iPhone’s current behavior and it doesn’t get in the way. It’s clear and easy to use. What do you think?
I don’t advocate taking performance enhancing drugs, but if I were a company making a sports video game, I would be tempted to include a hidden “Steroid Mode” where the players can enhance themselves by taking drugs which make them stronger players. It could add an interesting layer of complexity to the gameplay, reflect a real life issue, and create a buzz of controversy that could help sell the video game.
There could even be a down side to taking drugs. Maybe your player gets great strength for a while but eventually gets liver damage and becomes weaker than when he started.
Of course, the video game company would need some sort of plausible deniability once the parental outrage begins. Maybe the game doesn’t feature “drugs” at all, but thinly metaphoric “Power Potions.” Then you can say, “Power Potions are not supposed to represent performance enhancing drugs, and any similarity is completely coincidental.” If all else fails, you can claim “This baseball game is marketed for adults and is not intended for children.”
Meanwhile kids can argue over whether or not “Steroid Mode” scores should be counted on the same High Scores list as Standard Mode scores. Maybe they can compromise by being on the same list, but with an asterisk.
It’s not unheard of for small American towns to change their name in order to get publicity. So here’s an idea for a large scale coordinated multi-state name changing scheme that’s sure to draw tourists: In every state where it’s phonetically possible, there should be a town that creates a palindrome when combined with the state name. Then the ultimate road trip would be to drive from Aksala, Alaska to Adirolf, Florida visiting every palindromic town in between… and then driving back in reverse.* So far, it looks like Saxet, Texas and Adaven, Nevada are the only ones that already exist (sorry, Zion, Illinois — close but no cigar). Visiting Apollo, PA gets you bonus points.
*I mean visiting every city in reverse order, not driving with the car in reverse.
Popular new social networking services like Twitter, where users write extremely short messages about whatever’s on their minds, present a challenge: How can you intelligently get across a complex thought in just 140 characters without needing to use ugly abbreviations (e.g. “w/o needing 2 use ugly abbrev’s”)?
If only there were a service that helps with the struggle of rewriting a 146-letter message to fit in a 140 character limit. Well now there is: Thsrs, the thesaurus that only gives you synonyms shorter than the word you’re looking up. Just enter one of the longer words in your message, and Thsrs will suggest shorter words to use instead.
Try out the embedded version below, and bookmark www.thsrs.com so it’s always handy when you need it.*
1. Enter a long word.
* I considered calling it Sesquipedalian but I can never remember how to spell that. Thsrs was developed using the Big Huge Thesaurus API, and coding help from my friend Jay. This is a beta version, of course, so let me know if things go wrong.
Update: Thsrs is now available as a plug-in for your browser! Check out the Thsrs page for details.
Update: I thought I’d make a note about the word source, as some people have commented that Thsrs sometimes returns surprising results. Thsrs currently uses the Big Huge Thesaurus, which is based on the Princeton University WordNet Database, and has the distinction of being the only thesaurus I found with an API. If you know of a better easily-accessible Thesaurus word source, let me know and I’ll see about switching over. In the meantime, additions to the database can be suggested by visiting the BHT, looking up a word, and using the “Suggest” form at the bottom of the results page.
Here we are in the 21st Century, and we’re still using electric outlets designed way back in the early 20th Century. Back then, Alternating Current beat out Direct Current as the standard in our homes partly because it travels further before losing power. But our needs have changed since then. Sure, we still plug in a bunch of things that require AC, but we also have a few dozen items in each home that require DC. So each of those items has its own power-converting brick taking up precious space on our power strips, and creating eye-sores on our walls.
Some people have gotten around the problem by coming up with creative designs for power strips. But that’s backwards thinking because it just accepts that we have to deal with these bricks and puts a bandage on the problem. We can do better.
I say it’s high time we do away with the whole mess by moving the AC/DC conversion to the other side of the wall.
Today, if you lose an AC adapter, you have to find a new one that converts the AC in your wall to the proper voltage DC for that particular gadget. Or, you can buy a universal AC adapter for just a little more money that you can manually set to provide whatever voltage DC your gadget requires.
I propose a new standard for electric outlets where every outlet in your home has a universal adapter built in, on the other side of the wall, where you will never see it. When you need AC, it gives you AC. And when you need DC, it automatically converts to the proper voltage DC for you. No more ugly bricks. Plugging in your phone charger, computer speakers, or router will be as elegant as plugging in a lamp.
I call this new standard “Outlet 2.0.”
How will Outlet 2.0 know what kind of electricity you need?
Simple. Outlet 2.0 compliant plugs will have key-like notches in the prongs that let the outlet know what kind of electricity is needed. For example, a “Type A” plug will have zero notches. It looks like a standard plug, and it just uses normal AC. “Type B” plugs will have one notch to indicate that they require 1.5v DC. Here are a few sample plugs to illustrate what I mean:
They are given simple letter-based names so that it’s easy to remember in the event that you need to buy a replacement cord. You just look at the bottom of your gadget where it says “Requires Type G Cord” and go to Radio Shack and buy a Type G cord (at a fraction of the cost of buying a new brick). The letter is also embossed on the plug itself, so you don’t need to worry about mixing up your cords.
Won’t this increase the cost of electric outlets?
Yes. But you only need to install your outlets once. However you may otherwise buy a hundred gadgets over your lifetime that include their own transformer brick, and the cost of that brick is built into the price of the gadget. With no brick needed, the cost of the gadget goes down. Also, the weight of the new gadget in its box with all its accessories goes down, which makes it less expensive to ship, which translates to further savings.
What about power strips? How will they work?
Outlet 2.0 compliant power strips will be plugged in with a “Type A” plug so they receive AC as usual. But they will have internal universal converters at each of their outlets so they provide the proper electricity to the devices that are plugged in. Yes, this will make them slightly larger and more expensive. But the savings will come in less expensive devices, and a much neater area under your desk where everything is plugged in.
Is Outlet 2.0 backwards compatible?
Yes. Anything you have that came with a normal plug — including power bricks you got with gadgets before the Outlet 2.0 standard — will still work. They have a normal “Type A” plug, so they will receive the AC they’ve always received.
Will new 2.0 compliant plugs work in old 1.0 outlets?
Well, once the standard is adopted, it should be relatively inexpensive to replace at least some old outlets with new ones, so hopefully it won’t be an issue for long. You’ll start to see even older hotels begin to advertise that they have Outlet 2.0 compliant rooms. But if you are going to visit a home or hotel that hasn’t upgraded yet, you can bring a simple travel-size pass-through converter. You just plug it into any 1.0 outlet, and then you can plug any Outlet 2.0 compliant gadgets into the converter. (Note that any Outlet 2.0 compliant power strip will work properly in a 1.0 outlet, converting the power as needed).
What if a 2.0 plug is plugged into a 1.0 outlet without an adapter?
This could damage your gadget, so there is a feature in the Outlet 2.0 standard that prevents this from happening. It is not shown in the plug renderings above because I haven’t worked out the details yet. It will probably take the form of an extra prong that doesn’t carry electricity, placed off center so as not to be confused with the grounding prong already present on current “three-prong” plugs. At right is a rendering of how it may appear. This not only prevents you from sticking a 2.0 plug in a 1.0 outlet, but makes the different outlets easy to recognize by sight.
Will I have to upgrade my whole house to Outlet 2.0?
No. If you’ve had the lamp in the corner plugged into the same 1.0 outlet for the past 20 years, and you never plug anything else into it, there’s no need to upgrade that outlet. Just upgrade the outlets where you will benefit from having the Outlet 2.0 standard. If you ever sell the house, you may consider a full upgrade then so you can advertise that every room is Outlet 2.0 compliant.
For far too long, we’ve been dealing with heavy, unwieldy, ugly power conversion bricks all over the place, and they don’t seem to be going anywhere soon. But I refuse to believe that a world that sends robots to Mars can’t figure out a way to solve this problem. So this is my proposal. Of course, I’m not an electric engineer, so I may be missing some of the finer issues. Let me know what you think, and tell me how this idea can be improved.
Update: There are few things more frustrating for me than discovering that one of my ideas has already been thought of. But in this case I’m pleased to find via the comments that a similar proposal is already being worked on called The Green Plug. It doesn’t appear that the Green Plug puts the converter on the wall side, but it does create something like the Outlet 2.0 Power Strip, so that all your devices can share the same DC converter. I fully support this.
There are a handful of artists out there making incredibly detailed sculptures using Legos. If I had the time and the resources, I’d make one, too. I’d make one big Lego made entirely out of Legos. I’d call it the Lego Lego.
After making one Lego Lego, I would recruit a bunch of friends to help me make a few hundred more. Then they could be used to build an even bigger sculpture built entirely out of Lego Legos.
Previously: Idea: Paintings of descriptions of the paintings
I once decided it would be a good idea to name a bar in San Antonio “The Basement” so tour guides at the Alamo actually have an answer when jokesters ask where the basement is. But it turns out there actually is a bar in San Antonio called The Basement. This time I’ve got a name for a bar that doesn’t seem to exist already as far as my Google Search can tell (I’m sure someone will tell me if I’m wrong). This bar would probably best be located in Silicon Valley:
Many large corporations have philanthropy departments. They donate money for medical research, public television, city beautification, arts organizations, and more. But I’d like to see corporations use their philanthropy in part to spotlight individual artists through residency programs. It could give a big boost to an individual artist, and give a public face to the company’s support of the arts which may better promote arts in general.
Each company could pick one artist each year whose work exemplifies the company’s brand or ethos, provide financing for a year during which the artist develops a body of work, and then offer a performance or exhibition space — perhaps in a flagship store or corporate headquarters — to showcase the result.
For example, Apple’s first artist in residence could be a sculptor who integrates technology in his work, and they can display his pieces in select Apple stores across the country. Starbucks could pick an undiscovered singer/songwriter and finance her first album under their record label. Boeing’s artist in residence could be someone whose work is inspired by aviation, to be displayed in airport terminals.
I figure some corporations must already do this, but I was only able to find one example of a large company that has had an artist in residency program: Siemens, though its hearing aid division, has funded musicians through its artists in residence program, culminating in live performances in New York City. Are there others I’ve overlooked?
Someone who manufactures pots and pans should make a matching set of measuring cups that look just like the pots they make but smaller. And with some creative design tweaks, teaspoons and tablespoons could be made that look like tiny frying pans.
Or, the items could be designed the other way around. They could make pots and pans that look like enormous measuring cups, complete with “1/4 Cup” and “1/2 Cup” written in oversize lettering. And then when you buy the set, you get the matching measuring cups included.
Car companies are coming up with new ways of making sure you’re aware of other cars in your blind spots. Using radar and special mirrors, you will soon get audible and visual warnings when cars are approaching.
But what about tactile feedback? When I drive, my hands are already on the steering wheel, so why not take advantage of that to let me feel when a car is approaching in my blind spot?
The steering wheel could be embedded with a row of nubs that protrude under your hands when they need to alert you to another car’s presence. If a car is approaching in your blind spot on the right, the nubs raise under your right hand letting you feel the car’s presence. Likewise for the left side. And the wheel could detect where you place your hands while you drive, so if you don’t keep your hands at ten and two the nubs will be active wherever you do place your hands.
With practice, it could become second nature to use the sense of touch to gather information while you drive, just like you use sight and sound already.
A Wikroll is when a person rudely interrupts an on-line conversation to provide a link that seems to have nothing to do with the topic at hand, claiming that it goes to the video for Rick Astley’s “Never Gonna Give You Up.” But the link actually goes to a Wikipedia article that adds relevant insight to the discussion.
For example, lets say I write a blog post about macaroni which prompts discussion in the comments about the origins of macaroni and the best tasting brand of macaroni. Then someone leaves this comment:
Hey, everyone. I really like that Rick Astley song “Never Gonna Give You Up” so I thought I’d post a link to the video on YouTube so everyone can watch it. Click here to check it out: http://tinyurl.com/296l7r
Did you click on the link? Snap! You’ve been Wikroll’d!
Update 12/4/09: In conjunction with Evil Mad Scientist Laboratories, I’m pleased to announce that you can now buy a kit to actually build Bulbdial Clock! Visit the product page for more information.
I think we can all agree that sundials pretty much suck. They only have an hour hand, they don’t work at night or indoors, their accuracy changes with the seasons, and if you happen to live in the Southern hemisphere they run backwards. And yet, we all would love to be able to tell the time by looking at shadows, right?
That’s why I’ve come up with the Bulbdial Clock.
The Bulbdial Clock has no hands — just one pole in the center of the clock, and three light sources of varying heights which revolve around the pole casting shadows. In the model illustrated above, the light sources are each attached to a ring which rotates around the pole. The innermost ring rotates once per minute, casting a “second hand” shadow. The middle ring rotates once per hour, and casts the “minute hand” shadow. And the outer ring rotates once every 12 hours, casting the “little hand” shadow.
The Bulbdial Clock can be used flat like a traditional sundial, or mounted vertically on a wall. A variation on the design intended for large-scale installation (such as in a museum) involves a pole sticking up in the middle of a room, while the light sources are mounted on the ceiling, shining down on the pole as they rotate around it.
The Bulbdial Clock solves most of the sundial’s problems, but it still has a problem of its own: It doesn’t work in bright light. So the Bulbdial Clock is best suited for dim spaces such as restaurants and nightclubs.
Update: Evil Mad Scientist Laboratories has built a working model and posted several photos of the process. (4/7/09)
Previously: An Orange Clockwork
keming. noun. The result of improper kerning.
Update: Now available as a t-shirt.
Update 2: I’m writing this update several years later. Since I coined this term, it has made its way into textbooks, a Google easter egg, and other places. So I’ve written an updated post to catalog all the places people are using keming.
You may have heard the recent announcement that Polaroid will stop making instant film soon. They’re manufacturing just enough to last through 2009, and then they’re shutting down the factories. That gives them almost two years to develop what I think should be the last Polaroid product: a digital picture frame that makes sure the familiar look of a Polaroid photo lives on.
You just put your memory card in a slot on the bottom of the frame, and navigate using the touch screen to select whether you want to view your photos in “Standard” mode, which functions like any other digital picture frame, or in “Classic” mode, where each photo slowly fades into view over the course of a minute or so while you watch and wonder what photo is coming up. (In Classic mode, you can try shaking the frame to make the photo fade into view more quickly, but it won’t really do anything).
If you’re the sort of person who prefers to pin your Polaroid pictures to your cork board in your cubicle, you can take advantage of this innovative feature: The stand on the back of the frame can rotate to an upward position, sticking up above the top of the frame and revealing a hole for you to stick a pushpin through. The rechargeable internal battery allows you to showcase your photos that way even if you don’t want a wire dangling down from your cork board.
The bottom portion of the frame features a dry erase surface, so you can write your own title for your slideshow by hand, using a dry erase marker. Because sometimes it’s nice to preserve at least a little bit of the old way of doing things.
Previously: Idea: The Digital Jewel Box
Thursday is Valentine’s Day, a holiday where it’s customary to give a card to your loved one just to say “I Love You.” But even before the Catholic Church decided to honor one of its Saints with a holiday on February 14, this month was celebrated as a month of fertility festivals going all the way back to ancient Greece and Rome. I’ve decided to honor an entirely different group of people with this collection of romantic cards you can e-mail to your loved ones on February 14th, or any other day of the year. It’s Scientist Valentines!
You can click on these to get larger versions:
Previously: You say you want an evolution…
You may have already heard about The World, a man-made archipelago currently being built off the coast of Dubai. When completed, the grouping of islands will resemble, more or less, the whole world, and each individual island can be privately purchased by a billionaire who wants to live surrounded by other billionaires..
It’s a clever gimmick. But for the truly eccentric billionaire, why stop there? For enough money, you could build your own island in the shape of whatever you want. Here are a couple more island ideas I came up with.
For the classic TV lover, the Isle of Lucy:
Of course, the same billionaire should also build Gomerp Isle nearby. But no Gilligan’s Isle. That’s too easy.
And for the practical jokester, here’s Compass Island:
Okay, the practical joke isn’t immediately obvious. Let me show you what it looks like from space:
That’s right, it’s oriented upside-down. It’s sure to disorient pilots flying overhead, and confuse people who come across it on Google Earth.
The idiom-loving billionaire could build islands which spell out the phrase “NO MAN” so that, finally, No Man is an island. The person who made his or her fortune in pancreatic medicine could live on the Islets of Langerhans, in the shape of the human digestive system. Oh, the island-pun possibilities are endless.
The website gethuman.com has created a database of phone numbers for every major company in 15 different categories (such as insurance, phone companies, banks, etc) with instructions on exactly what you need to do in order to navigate your way to a real live human. For example, if you need to talk to a live person at Priceline, the instructions say, “At prompt press 1; at prompt press 1; at prompt enter phone number #; at prompt enter phone number #; at prompt enter phone number #.”
But that still seems like an awful lot of work to get a human. Why doesn’t someone create an application that does all the work for me? Let me select what company I need to call, and then use my modem to call them and do all that number-pressing automatically. At the last step, play a sound so I know to pick up my phone. Or just turn up the speaker on my computer so I can hear when a human picks up. Of course, not everyone has a modem any more, so the program could also come as a Skype plug-in and in cell phone versions for different mobile operating systems.
The program doesn’t need any sophisticated voice-recognition technology to know when it can press the next number. It can just be programmed to pause an appropriate length in between number-presses. And by letting me set my default services, I don’t need to see the huge list of companies all the time unless I want to. I could just press the “electric company” button and be talking to a person at ConEd a few minutes later. The program would need to come with some actual spoken words pre-recorded for those phone systems that require you to say “yes” or “operator,” etc. And it could store my account numbers so it can enter them where needed.
This shouldn’t be too difficult, right? Old BBS dialer software might even be usable by loading it with Gethuman info instead of BBS phone numbers, and using Hayes Commands to handle the pauses and subsequent number presses. But that method has limitations, and isn’t as complete or elegant a solution as a dedicated Gethuman Dialer.
[This idea came about during a conversation with my friend Jay, who deserves a share of the credit on this one. Thanks, Jay!]
Wikipedia lists dozens of variations on Tetris. I’ve played several of them, and still like the original version best. But I recently thought of a variation I haven’t seen before. It’s like a cross between Tetris and “Bubble Breaker” style games.
In this version of Tetris, which I call “Montris,” there are no falling tetrominoes (the shapes made up of 4 bricks that you’re familiar with in Tetris), and there is nothing to rotate. The shapes just drop one brick at a time, and it’s up to you to create tetrominoes when they land. When you create a tetromino, it disappears. Your goal isn’t to clear entire rows of bricks. You just clear tetrominoes. When you clear one and the bricks above it fall, this may create other tetrominoes that clear creating a chain-reaction. So thinking ahead is important.
If you drop a brick where it could potentially create more than one tetromino, you have to decide which tetromino to clear. See the animated example above for an illustration of how this could work.
Dropping one brick at a time means the well would take a long time to fill up, so there should be some other variation that keeps the game exciting. Maybe it’s as simple as a narrowing the playing field to only 5 or 6 bricks wide? Or maybe gameplay speeds up very quickly. Or maybe the next brick starts dropping when the current one is only half-way down.
One of these days, I’m going to learn enough about programming to be able to actually try my ideas.
(I call it “Montris” because it combines “mono” and “tetris.” Also, the word “montris” in Esperanto means “to show” in the past tense. That’s not really relevant, but now you know a word in Esperanto.)
Sculptors sometimes choose their medium based on how that material will change over time. When Frederic Bartholdi decided to make the Statue of Liberty out of copper, he knew that years of wind, rain, and sun would give it a nice green patina, and he must have had that final look in mind when he designed it. I think a sculptor should be brave enough to take a similar approach to another natural phenomenon that can change a statue’s color: bird poo.
Perhaps a bronze statue in homage to a historical figure who had salt-and-pepper gray hair can be erected below the branches of a tree. At that time, the sculptor’s work would be finished, but the statue would not. Only after enough pigeons have crapped on his head to give him a greater likeness to his subject would the statue truly be complete.
Or maybe a statue could be made depicting a child holding up a delicious cupcake. A nice bird crap patina on the cupcake could portray delicious frosting. Or, if he holds an ice cream cone, dripping bird poo flowing from the cone to his hands could emulate melting ice cream. Maybe the child could even be depicted as about to lick it off.
Or, even more simply, how about a statue of someone wiping bird crap off his shirt, placed somewhere that the statue is sure to be pooped on? A great work of art, depicting a modern Sisyphus.
Previously: Michelangelo’s David meets George Bush
Yesterday, I posted the image seen here and told you that there is another picture hidden somewhere within it. I challenged my readers to find it. After a bit of confusion in the comments, someone finally declared that they found it: “Hahahaha! Cool! It’s the NY skyline!” Another reader noted, “The first thing I did was to try to tweak the image using the Levels command. I was greeted with a surprise right there in the dialog.”
Yes, the New York City skyline is hidden in that picture’s histogram. It looks like this:
Several people have asked how I did it. So I’ll explain, but I might get a little longwinded in my attempt to be clear. Feel free to just skim and look at the pictures if you don’t want to read it all.
The idea for this project started with a question: Is it possible to create an image that depicts its own histogram? (A histogram, for those unfamiliar with the term, is a bar graph representing all the tones in an image — it typically looks something like a mountain range). I played around a little bit in Photoshop and the closest thing I came up with was this image:
…which has this histogram:
Yeah, okay. That was neat I guess. But I couldn’t come up with any other shapes that worked. But all this thinking about histograms and what they represent got me wondering if I could control what a histogram looks like by manipulating the image. Could I create something recognizable? To try it, I would need to find something that would be entirely black, horizontal in orientation, and not require any holes or vertical gaps. A skyline seemed perfect.
I did a Google Image Search for “manhattan skyline silhouette” and was tickled to see that the perfect image came up in a result from my own site! I once posted an entry about New York City as depicted in the animated film Antz. Google showed me this image from that entry on the first page of search results:
A typical 8-bit grayscale image can have 256 possible shades of gray. A histogram represents the amount of pixels at each level from 0 to 255, and is 256 pixels wide. So the first thing I did was shrink down the Antz skyline to 256 pixels wide. This meant that each vertical band of black pixels in the skyline represented a value from 0 (black) to 255 (white).
Then I created a new document. The first column of pixels in the skyline image represents value “0” and has 43 black pixels. So my new document needed 43 pixels with the value “0.” Column 2 of my skyline represents value “1” and has 46 black pixels. So my new document needed 46 pixels with the value “1.” And so forth.
Another way to think of it is to say that I took all of the “skyline” pixels from this image:
…and put them in a new document, with no other pixels. Then I rearranged all those pixels into a square from dark to light. The result was very close to perfect. The histogram looked pretty much like the skyline, but it was stretched vertically.
Normally, a histogram is scaled vertically so that whatever value has the most pixels reaches all the way to the top of the graph, and everything else is sized proportionately. In this case, it is the shade of gray which forms the World Trade Center antenna that has the most pixels. So this is roughly what the histogram looked like:
I was thrilled that it worked, but I didn’t want it stretched vertically like that. In order to prevent the WTC tower from being too tall (and everything else scaling upwards with it) I had to put extra pixels of one value in my image, so there would be more pure of that value than any other value, which would push the others down so that the graph remains proportionate. I chose pure white, because this creates a thin black line at the far right side of the histogram where you don’t notice it.
I could have added this row of white pixels at the bottom of the new image, but instead I typed my website name in white, and placed it within the image. In doing so, I copied over some other pixels, which altered the skyline. So I had to put it in a place where the “damage” to those buildings wouldn’t be that noticeable. It took trial and error, but I found a good spot. It changed the skyline on the left side a little bit (compare to the “Antz” image). But it still looks like buildings, so I accepted it. Also, this way I get some credit if the image gets passed around without attribution.
I did it all tediously by hand, but I think with a little tinkering, someone could write a program to simplify the process, taking a 256 x 100 silhouetted image and extrapolating a new image with that as the histogram. And the final image file doesn’t need to be a square with a gradient, either. Those pixels could be in any order. They could be completely scrambled. Or they could be laid out in a way that shows an image of an Apple (as in “The Big Apple”). As long as no new pixels are introduced or deleted, the histogram remains the same. But that is a lot more work than I was prepared to do.
Oh, I almost forgot: I doubled the image size so it would look a little better on the website. As long as I resized it using the “Nearest Neighbor” method instead of some other interpolation method, every pixel (and therefore every shade represented in the image) would be duplicated identically, keeping the proportions in the histogram the same.
Update: A reader has taken this idea even further!
Note:I wrote this article in 2001. At the time, Nintendo had a camera add-on product for the Game Boy that took low-quality black and white pictures. Small, cheap, color digital cameras were not nearly as prevalent as they are now. I originally posted this on my photography website. There has been a link to the article from Ironic Sans in the sidebar on the front page, but I’ve decided to integrate it as a regular Ironic Sans entry and remove the sidebar link.
All colors of the visible spectrum can be broken down into combinations of just three colors: Red, Green, and Blue. In fact, if you look at your computer screen under a magnifying glass, you will see that it is made up of tiny red, green, and blue lights that are varied in combinations to create all the colors you see on your screen.
Every color picture can be broken down into three separate black-and-white pictures which represent the amounts of red, green, and blue that are used to make up that picture, as in this example:
If a color picture can be made from three black and white pictures, I could use the Game Boy Camera to take three separate black and white pictures (using filters to capture the red, green, and blue values of a scene) and then use the computer to combine them into a single RGB image. A more elaborate version of this process is commonly used in high-end digital cameras used by large photo studios, so I saw no reason why it wouldn’t also work with the Game Boy Camera. [*note: three-pass digital cameras aren’t really used as often now in 2007 but they were at the time I wrote this]
I picked a location in my apartment where I could make sure the Game Boy could sit absolutely still (so I could take three identically-posed pictures) and picked a small colorful object to photograph. One of the first objects I tried photographing was a Snapple bottle, Kiwi-Strawberry flavored, with a colorful green and pink label.
To capture only the red light reflecting off the Snapple bottle, I was going to need a red filter that I could place in front of the Game Boy Camera, so that only red light would reach the lens. I went to a local photo-supply store and obtained a free book of filter samples, containing dozens of various colored filters. I picked a red filter and held it in front of the lens and took a picture. I repeated the process with a green filter, and then a blue filter, careful not to move the camera or the bottle in between shots.
Using the Game Boy Camera PC Link from Mad Catz, Inc., [no longer available in 2007] I transferred the images to my computer, where I ended up with these three images:
I thought I had done everything right, but when I pulled the images into Photoshop to create my RGB composite from these three images, I came up with a picture that looked like this:
Obviously, I didn’t have the full color photograph I had anticipated, although there was a hint of color in the image. If my theory was correct, though, it should have worked. A little bit of research on the internet brought me to the cause of the problem. It turns out, the light-sensitive chip inside the Game Boy Camera (it’s called a Mitsubishi M64282FP chip) is sensitive to infrared light, which isn’t visible to the human eye. While I was succesfully filtering out red, green, and blue light, infrared light was still reaching the lens of the camera.
This was easily provable by pointing my Game Boy Camera at my TV remote control and pushing a button on the remote. Even though nothing seemed to happen that I could see with my eyes, I could see the front of the remote light up on the Game Boy screen! I would have to filter out the infrared light reaching the Game Boy Camera in order to get my full color photograph.
Apparantly, most digital cameras are sensitive to infrared light, but contain a built in “hot mirror” filter, which blocks infrared (something I learned through a little research on-line). So I went to my local camera shop and bought a hot mirror filter (which was more expensive than I thought it would be, but I was now determined to take color photos with my Game Boy Camera, so I bought it anyway). I held it in front of the Game Boy Camera and repeated the remote control test, and could no longer see the light of the remote light up. I had a good feeling about this. I attached the hot mirror filter to the front of the Game Boy Camera using masking tape, and picked a new test subject to photograph: a Garfield Pez Dispenser.
Repeating the three-pass process of photographing an object with the red, green, and blue filters, I came up with these images:
Already I had a good feeling, as these images were more in line with what I was expecting than with the previous tests. So I again transferred them to Photoshop, created a composite RGB image, and this was the result:
The World’s First color photograph taken with the Game Boy Camera!
October 31, 2001 - Okay, I know that they are not the most exciting subjects, but the following photos (plus the Pez Dispenser above) are the World’s First color photos taken with the Game Boy Camera. I just shot whatever was around to be used as test subjects.
November 10, 2001 - My first outdoor attempts. First off, notice the vignetting in these images (the halo that seems to be around the pictures). This is caused by the camera itself reflecting in the Hot Mirror filter. I’ll have to use a black magic marker or something to make the GB Camera black so it doesn’t reflect (I think it wasn’t a problem indoors because the camera didn’t have such bright light on it). In the picture of the trees, the blue sky came out nicely peeking through the top. I’ll have to solve the halo problem before my next attempts.
[That’s it. I never got the motivation to shoot any others in this series, as cheap color digital cameras became more prevalent, and the novelty of taking low quality color pictures with a cheap handheld device wore off].
I think a kitchy home accessories designer should license historic photos of celebrities giving the middle finger and turn them into 3-dimensional coat hooks. At right is an artist’s rendition of how such a coat hook might look using a famous photo of Johnny Cash.
A coat hook like this would be the perfect thing to put in your rebellious high school son’s bedroom. He’ll enjoy it so much you can be sure he won’t come home from school and just drop his jacket on the floor any more!
In business, there comes a time in the fiscal year where the boss calls his or her employees into the office for a performance evaluation. But the only direction the evaluation flows in the workplace is from top down. Nobody asks the employees how the boss is doing. Sure, the boss has to be evaluated, too, but the view of his or her performance is only seen from above.
I think businesses should implement Boss Evaluations, similar to the Teacher Evaluations that students get to do in school. I’m sure we’ve all had similar thoughts when it came time for our own evaluations, so I know it’s not a revolutionary idea. But maybe it’s an idea that needs to rise out of the wishful thinking of the low rungs on the ladder and actually be implemented.
Of course a manager’s performance can be measured quantitatively (are sales up? is profit up?) just as test scores can be measured to judge a teacher’s success. But human relations are an important factor in a business’s bottom line, as well. When employees are happy, they stick around. While high turnover is acceptable in some industries, time and money spent training new staff may be better spent elsewhere. It benefits a company to have dedicated employees who aren’t constantly seeking a better position. It has been said that people don’t quit their jobs – they quit their bosses.
It may turn out that a division within a company is successful despite a boss that nobody likes. That is important to know, too. Employees with bad bosses may still be working hard, but they may also be more likely to steal office supplies, trade secrets, or other property.
Sure, there’s always going to be the brown-noser who gives a positive evaluation no matter what. And the employee with a grudge may give a negative evaluation to a boss who’s actually pretty good. Statisticians are better equipped than I am to suggest ways to account for that (is it as simple as throwing out the highest and lowest scores?). But a progressive company bold enough to ask the employees how the boss is doing may find itself with valuable information for running their company more effectively.
Note to my former boss at the last company I worked for: You didn’t inspire this article. Don’t worry.
Walt Disney should add a new division of scientists (biological imagineers) to its company with the goal of breeding “Mickey” mice — real mice, selectively bred for their big round ears and black facial coloring which makes them resemble a certain famous cartoon mouse. Then they can sell them as pets in pet stores.
If they start now, this could be the next big craze come Christmas.
I’m off to the Galapagos Islands, so I won’t be posting anything or replying to e-mails for the next two weeks. Try not to make a mess of the place while I’m gone. Hopefully the Spambots won’t take over.
To give you something to talk about, I’m leaving you with my Top 5 “Remainder” Ideas. These are just a few of the many ideas I’d jotted down in the past but decided weren’t worth fleshing out into full posts for one reason or another. Since they will probably remain that way, I figure they’re better off posted here than wallowing in obscurity. It may be more obvious why some never made it to full posts than others.
Remainder Idea #5: Bring back the Ford Prefect
I had this thought one day that Ford could make it big with Science Fiction fans by introducing a new car in its defunct Prefect product line. Then I actually looked at the old Ford Prefects, and wondered if maybe there was a good reason the Ford Prefects aren’t around anymore. I don’t know how you’d give that old car a modern feel.
Remainder Idea #4: The World’s Mildest Salsa
Salsa companies always brag that they have the world’s hottest salsa. But what about people who just want flavor? Why doesn’t anybody market a product as the world’s mildest salsa? I think there’s a missed opportunity here.
Remainder Idea #3: “The Short Con”
In the con artist’s world, a “long con” is a term referring to an elaborate and drawn out scam where the victim actually hands over his money repeatedly, going back to the ATM (or his home, or office) for more and more money. A “short con” refers to a quick scam where the goal is simply to get whatever money the victim has at the moment. Well, I thought “The Short Con” would make a great name for a movie about a con artist who happens to be really short, and who specializes in short cons. Somehow, he gets involved in a long con. Naturally, he would be played by Danny DeVito. I didn’t get much further than that.
Remainder Idea #2: My Amazon “Don’t buy me this” List
On Amazon.com, you can create a Wish List of items you want, and rank them by priority so people know what to get you for your birthday. Not long ago, the lowest ranking you could give an item was labeled “Don’t buy me this.” I wondered why on Earth anybody would bother putting something on their “Wish” list and then rank it “Don’t buy me this.” So I put together a whole list of only things I didn’t want people to buy me on Amazon, and ranked them as “Don’t buy me this.” I don’t remember what was on the list anymore except for a few things like some earrings that looked like chewed gum, a talking Ann Coulter doll (for which my comment was something like, “I’d rather have a bag of dirt”), and an actual bag of dirt. Shortly after I put together my list, Amazon changed the Wish Lists so the lowest priority rank no longer says “Don’t buy me this.” It just says “lowest.” And then my list wasn’t funny anymore. To the contrary, it suggested that I kinda wanted a talking Ann Coulter doll and a bag of dirt, but just a little bit.
Remainder Idea #1: Webstr
This was my idea for a Web 2.0 site for people who want to adopt orphan sit-com boys (the one for adopting orphan sit-com girls is called PunkyBrewstr of course, and they’re both in perpetual beta). I even went so far as to make a Webstr logo, using the old Webster TV show font in Flickr logo colors. But then I decided it wasn’t funny enough, and I set it aside until I could come up with a better idea for what a Web 2.0 site called Webstr would be. That never happened.
Interesting note: While working on Webstr, I realized that adopted kids were a big theme in 80s sit-coms. Punky Brewster was adopted. Webster was adopted. Arnold and Willis were adopted. Ricky Stratton was adopted. Well, reunited with his long lost father, anyway. Close, though. Any others?
Bonus remainder idea: The Top 10 Reasons Phil Donahue Should Be President
One day I realized that I think Phil Donahue is a pretty level-headed guy and I mostly agree with his politics. I thought it would be funny to put together a list of the Top Ten Reasons he should be President. Unfortunately, I only thought of one, and it’s probably only funny to hardcore Phil Donahue fans, and that’s not enough for a good post. So let’s just pretend I’ve come up with 10 reasons, and you’ve just read reasons 10 through 2, and they were very funny, so I can go ahead and tell you the one funny reason I came up with. Ready? “And the Number 1 reason why Phil Donahue should be President is…. That First Lady!”
See you all in a couple weeks!
I recently rewatched the Alien movies. I must still have Aliens on my mind because today I got a little creeped out by my stapler (it’s the one on the right):
All this leads me to the thought: They should make a stapler shaped like the Alien. And it should have one of those staple trays that reloads by extending outward, instead of having to open the top.
Previously: Yip-Yip Martian Binder Clips
The way I see it, companies have about a week or so left in the life of the lolcat meme to come up with some clever ads that use the lolcat format. I think for the most bang for their advertising dollar, the campaign should probably appear in college newspapers or someplace else where the fewest people possible will be scratching their heads in confusion.
Take a pizza and burger joint, for example. They could start with a picture of a pizza delivery guy, with the caption “I’M IN YOUR NEIGHBORHOOD, DELIVERING YOUR PIZZA” or it could have a picture of a burger and fries with the caption “YES YOU CAN HAS CHEEZBURGER.” Okay, they could probably come up with something more clever than that. But it would give me a chuckle to see a company incorporate an on-line meme into their ads without referencing where it came from. It would be sort of an inside joke among the internet savvy.
Note: Do not play the game described below if you are in any potential danger of hurting yourself or others, or if you are near traffic, or anywhere that you aren’t positive it can be played safely. Play at your own risk.
That’s got you curious, huh? What’s the Sensory Deprivation game that’s so dangerous it requires a disclaimer? It’s something I found myself doing one day in college as I was walking across the busy campus and saw a blind student walking in the opposite direction with a walking cane. I wondered what it’s like to confidently walk around, even while unable to see. Blind people seem to do it okay. Could I?
I had my sunglasses on, so I figured nobody would notice if I suddenly closed my eyes. First I looked out at the ground ahead, the people walking around, and figured that if I just kept walking straight I would avoid all of them, and the lamp post. How many steps could I take before I had to open my eyes again? I decided to find out. Without changing my stride, I closed my eyes.
The answer was only around 6 steps. I had no confidence in my ability to navigate at all. I felt like at any second I would smash into something or someone. I must be veering one way or the other, right? When I opened my eyes, I realized that I had been walking straight after all and was actually doing pretty well. So I tried it again. After another 6 steps, I couldn’t bear it.
Why was I only able to take 6 steps? How many would I have been able to take if I’d had a walking cane before I freaked out about bumping into things? How long does it take the newly-blind to be able to get around confidently? Is it faster to learn with a cane, with a guide dog, or with echolocation?
I haven’t really played the game since then. Do I dare, here on the busy streets of Manhattan? Do I get bonus points if I play while wearing my iPod? How many steps can you take?
It’s Memorial Day weekend, so I thought I’d share a little something I came up with after one of my Memorial Day BBQs a few years back.
You know how hot dogs come in packs of 10, but hot dog buns come in packs of 8? This pretty much assures that there will be leftovers of one or the other at the end of the day. Hamburgers on the other hand can be spread out a little more evenly because you can control the size of the patties you make with your ground beef. But one year I ended up with too much ground beef, and too many hot dog buns.
That’s when it occurred to me: Nobody says that hamburgers can’t be shaped like hot dogs. Thus the Hamburdog was born. Just roll up the ground beef into tube shapes, grill as usual, and place on a hot dog bun. Add your normal hamburger condiments, and voila! It goes against everything you think you know about picnic meats, but it sure is tasty.
Today I had an idea for a t-shirt. Here’s the artwork I came up with:
FOX should make a spinoff of “24” for kids. They should call it “12” and the main character should be twelve years old. Each of the 24 half-hour episodes covers 30 minutes in the life of Brad Bauer (or whoever). The first season could start at 7:00 a.m. on his twelfth birthday as he prepares to head to school, and end at 7:00 PM when he gets home. In between, Brad gets wound up in some crazy adventure and manages to save the day, while he tries to keep up with his classes, celebrate his birthday, and impress that girl he likes in algebra class.
Previously: What George Bush and Jack Bauer have in common
There’s an article on-line from Money Magazine called “50 Bulls**t Jobs.” That’s right. Bulls**t. With those two asterisks in there. Come on. We know what word they mean. So why not just say it? If they think we’re adult enough to be reminded of the word, why don’t they think we’re adult enough to see the actual word? (The article is based on a book by the same name, but without the asterisks)
Oh, I know. It’s the kids. They might be reading. Sh*t. I didn’t f*cking think of that. It would be terrible if they would see the word “Bulls**t” in print, but it’s okay for them to see it with the asterisks, right? They’ll have no idea what that means. And I’m sure they have no idea what “the F word” is, so let’s just keep calling it that.
But what about us adults who can decide for ourselves whether we want to see foul language or not? Is there a way for us to avoid all this f****ng unnecessary self-censorship littering the internet?
There is now. I’ve created the “Uncensor the Internet” script for Greasemonkey (a Firefox plug-in that lets you add all sorts of useful functionality to your web browser, available here). If you’re running Firefox with the Greasemonkey plug-in, just install this script, and see all the foul language that people are pretending they don’t use.
It’s also available as a standalone plug-in for those of you who aren’t running Greasemonkey. Right-click on the link to save it to your desktop, and then drag it into your browser window.
To see an example of the script in action, reload this page after you’ve installed it.
Previously: The CNN Fortune Cookie Greasemonkey script. It automatically adds the phrase “in bed” to the end of CNN.com headlines.
Update: I’ve fixed the script so it knows the difference between “a whole” and “a**hole,” and it knows the difference between “batch,” “botch,” “butch,” and “b*tch.”
I love having my music on my hard drive or iPod, but one reason I still buy CDs and then rip them is that I enjoy holding the jewel box in my hand and reading the liner notes while the music plays. I just hate how much space all those jewel boxes and liner note inserts take up.
So how about making a Digital Jewel Box? Here’s how it would work: The DJB sits next to your stereo or computer in its charging dock. Similar to a digital picture frame, it syncs wirelessly to your home network via WiFi, syncing itself with iTunes or whatever digital player you use. When a new song comes on, the DJB’s screen shows the album cover art for that song.
At any time, you can take the DJB out of its dock, sit on the couch with it, and use the controls on its side to flip through the rest of the liner notes, including track listings, lyrics, song credits, acknowledgments, and whatever else is included in the paper version. The pleasure of flipping through liner notes doesn’t need to go away just because CDs do.
You can also use the DJB as a remote control, as long as your media player supports it. The DJB has an infrared transmitter, and the charging dock has an IR receiver. So if you’re sitting on your couch flipping through your favorite album’s liner notes and you decide you’d rather be listening to a different track, you can skip forward or back by pressing buttons on the DJB itself. If you want to hear a different album entirely, use the DJB’s menu to flip through your music. The songs themselves aren’t stored on the DJB, but the track listings are.
When you’re not playing music, you can set your DJB to turn off completely, or double as a digital picture frame, displaying your personal pictures.
Here’s another mock-up of what the DJB might look like, but probably with fancier transitions than these:
The term “F-Bomb” is used often these days to describe what we used to simply call The F Word (mp3). Specifically, it describes the F Word when it’s used unexpectedly. For example, if a caller on a radio show uses the F Word, the host might chastise him for “dropping the F-Bomb.”
With that in mind, I think that if I were an evil dictator in a country developing a nuclear weapon, I would name my new weapon “The F-Bomb.” Then I’d get a little giggle every time it was reported in the news that my country is threatening to drop the F-Bomb. As in, “Ironicsansistan tested a long-range missile today, heightening fears that it will follow through on its threats to drop the F-Bomb on South Ironicsansistan.”
Nearly every episode of the 1970s sitcom Welcome Back, Kotter began or ended (sometimes both) with the main character Gabe Kotter telling a really corny joke about a family member. It usually started with him and his wife sitting around, and he asks, “Did I ever tell you about my Uncle So-and-so?” When I was a kid, I loved this show. I found it hilarious. Now, not so much. But I’d still like to see a definitive list of Kotter family members and the situations they found themselves in. I think there’s a Wikipedia article somewhere waiting to be written. I’ve done a little bit of research, and here’s what I’ve come up with so far:
Uncle Carl was a hunter out hunting game. One day, he shot a beautiful girl in the woods because she told him that she’s game. (Season 2, Episode 11)
Uncle Max was a barber. He once hired a private investigator to follow a man who kept coming in the barber shop, asking how long the wait was until the next haircut, and leaving. The investigator followed the man and reported back to Max that the man was going to Max’s house every day. (Season 2, Episode 11)
Aunt Brenda believed in reincarnation. After Uncle Sidney died Brenda went to a seance where Sidney’s ghost revealed that in the afterlife he has a lot of sex before and after every meal. He explained that he is not in heaven — he has been reincarnated as a bull in Montana. (Season 3, Episode 5)
Uncle Eddie was a thief. He used bricks to break windows of stores so he could steal precious items for his girlfriend. When she got too annoying about all the things she wanted, Eddie asked her if she thinks he’s made of bricks. (Season 3, Episode 5)
Uncle Julian was raised by wild dogs. Eventually he was brought to civilization and became a mailman. He was fired for biting himself on the leg. (Season 3, Episode 24)
Uncle William was a pharmacist. He was fired for trying to fit bottles into a typewriter in order to type information on the labels. (Season 3, Episode 24)
Uncle Milton was a famous spiritualist who held seances every Friday night. One night Milton felt the presence of a spirit named Max who in life made a living as a waiter. Milton asked Max’s spirit to come closer to the table. Max refused, as Milton was not at one of Max’s tables. (Season 3, Episode 25)
An un-named uncle went to an Italian restaurant where he noticed a Chinese waiter who speaks perfect Italian. He asked the restaurant owner why. The owner explained that the waiter has only been in the country for two months and is under the impression that the owner is teaching him English. (Season 3, Episode 25)
Uncle Melzer was a navigator. He once removed a thorn from an elephant’s foot in Africa. The elephant was so grateful that he picked Melzer up in his trunk and placed him in his second floor hotel room. A year later, at the circus in Pittsburgh, the elephant picked up Melzer in its trunk and flung him into the balcony, breaking his legs. It was a different elephant. (Season 4, Episode 3)
Uncle Nezbit had no friends, but he brought his dog everywhere, including to the movie theater. The dog enjoyed a particular movie, which surprised Nezbit, because it hated the book. (Season 4, Episode 4)
When Gabe was young, his father told him that the local bully Tommy O’Shaughnessy was a coward. So Gabe told Tommy that, prompting Tommy to beat up Gabe’s father. (Season 1, Episode 2)
Young Gabe’s mother told him to ignore kids who made fun of his big head. But when she sent him on an errand to the supermarket, she suggested he could carry all the groceries home in his hat. (Season 1, Episode 2)
Anyone have more to add?
I’ve been participating in the beta test of a hotly anticipated new program called Joost. It’s essentially a video-on-demand service from the people who brought you Kazaa and Skype, which uses proprietary technology to make high quality video over the internet as instant as your TV. Unlike video sharing sites such as YouTube, you won’t get to upload your own videos to Joost. They will provide the content through contracts with various TV and movie companies, and show the programs in appropriate Channels. For example, they might have an NBC Channel where you can catch up on episodes of Heroes. Or you might go to the Warner Brothers Movie Channel to watch the movie Batman.
While still in beta, the content is pretty limited. I can watch some National Geographic documentaries, a few episodes of the World’s Strongest Man competition, some Canadian music video programming, and that’s about it. But while Joost is working on adding new content and improving the video technology, I’m still left wondering where the feature is that will make me want to watch video on demand with Joost instead of with, say, my local cable company or other on-demand service. Is it enough that the video starts in 5 seconds instead of 5 minutes like with other high-quality streaming video services? Maybe. But my cable box is even more instant than that. There’s a real opportunity here to make Joost something different and better than television, instead of something that’s as close to TV as possible. That’s where my idea comes in.
I imagine a feature that combines all the best elements of social websites like Digg, the humorous style of Mystery Science Theater 3000, the educational aspect of DVD commentary tracks, the user-contributed spirit of a Wiki, the format of Pop-Up Video, and integrates it all with Joost. It could make even the dullest content interesting and fun to watch, and make the best programming even better. Here’s how it works:
HOW IT WORKS
If I have the yet-to-be-named feature turned on, I can choose to use Joost in one of three modes: Writer Mode, Voter Mode, or Viewer Mode.
In Writer Mode, whenever I pause the program I’m watching, a window pops up that I can type in. Joost uses a time stamp to remember where I was in the program when I wrote this comment, and also remembers where on the screen I’ve put the window. Then I can type in any comment I want. Preferably, it’s either informative about the particular scene (e.g. “This scene was filmed at Maine North High School in Chicago”), or it’s a funny comment on the scene. I can tag it appropriately as “funny” or “informative” so Joost knows how it’s intended.
In Voter Mode, I watch the movie with a window overlaid in which all the comments people left scroll up automatically. I get to vote every comment up or down based on whether I agree that it’s funny or informative or neither of the above. In my illustration, all the comments are white, but perhaps they would be different colors to specify funny or informative. If there are too many comments to reasonably vote on so quickly, I can tell Joost to not show me every comment so that it’s more manageable. I can set the pace myself. Or I can just vote on the ones that jump out at me, ignoring the others.
In Viewer Mode, I can watch a program or movie with comments turned on. They will show up where and when the commenter specified, and then disappear after a few seconds. Because people read at different paces, I can control how many pop-ups I want per minute. If I say I want 12 per minute, only the 12 highest rated pop-ups will be shown in each minute of the program. I can specify if I want to see just the funny comments, or just the informative comments, or both. I can choose to read the highest-rated comments of all time, or just of the last month or week or day. I could watch the same program week after week and experience it with a whole new set of commentary. And at any time, I can switch to a different mode if I think of a new comment to add or if I want to vote down a lame comment I just read.
It’s possible that someone might have written a highly-rated comment that only makes sense if you’ve read a particular earlier comment that isn’t as highly rated and may not be shown. To make sure this doesn’t happen, the writer can indicate his comment is a “reply” to a specific earlier comment. In this way, a “reply” comment with enough votes to be shown automatically bumps up the earlier comment so it’s also shown.
This could be a lot of fun. Imagine watching a show like Heroes once, and then watching it again with comments turned on to see what other people caught that you missed. Also, this has potential to make programs appealing that people wouldn’t otherwise watch. Joost could worry less about making deals with content providers, because even free content like old copyright-expired movies become entertaining in a whole new way. So much of what makes Web 2.0 great is the community-generated content, and right now Joost offers no new way for the community to interact with its product except passively.
Sure, it does have an integrated chat window, but that’s nothing new that I can’t already do with any of a dozen IM programs. And because Joost offers video on demand (as opposed to live broadcasts), it’s unlikely that I’d be watching in sync with anyone else in a chat room anyway, which limits the usefulness of channel-specific chat. This idea could solve the problem of commenting in real time, and makes sure all the best comments rise to the top.
Okay, imagine this. You go to a movie with your friend Pete. It’s an alien invasion movie about some lizard creatures from another planet who kill and oppress Earthlings. For the sake of our example, let’s just say it’s a remake of the 1988 movie They Live, and that it stars former wrestler The Rock. When you pick up your ticket at the box office, you’re asked if you sympathize with the aliens or the humans. You decide to sympathize with the humans, and you’re given a special pair of sunglasses. Pete picks the aliens, and he’s given a different pair of sunglasses.
You sit down and watch the movie, each of you with your glasses on. A few minutes into the movie, there’s a scene with a couple sitting on their couch watching TV. As you watch, you hear the sounds of the TV show they’re watching. It’s a nature program. They make some comments to each other about the show. All of a sudden, out of nowhere, two aliens jump in and attack, killing the humans.
Meanwhile, Pete has been sitting next to you with his pair of glasses, watching the same screen. But he’s seeing a very different visual. He’s seeing the scene from the aliens’ perspective. He still hears what you hear — the TV on, the couple’s comments to each other — but he sees the aliens climb in through the window, sneak up on the couple, and finally jump in and attack, killing the humans.
Later on in the movie, the aliens begin putting subliminal messages on billboards that only their fellow aliens can plainly see. You, with your human-sympathizing sunglasses on, see billboards advertising computers and such. But Pete, sitting next to you and watching the same scenes, sees the word “OBEY” on the billboard. He sympathizes with the aliens, so he gets to see what they see.
As The Rock wanders through the film, passing average citizens of his fair city, little does he know that some of them are actually aliens. You of course have no idea, either. But Pete, sitting next to you with his special glasses, is able to see which people are really aliens because they have hideous alien faces.
At some point in the film, The Rock gets his very own pair of Alien Sunglasses, and he’s able to see for himself who the aliens are and who the humans are. Action ensues, and The Rock saves the day.
How does it work? Rather simply. It uses the same technology as 3-D movies, but in a different way. In a traditional 3-D movie, two slightly different images — each representing what your right or left eye would see — are projected onto one screen through different filters. To avoid being too technical, we’ll just call them filter A and filter B. To get the 3-D effect, your right eye needs to see only what’s projected through filter A, and your left eye needs to see only what’s projected through filter B. So you wear special sunglasses with different lenses over each eye which filter the corresponding images. Filter A over your right eye makes sure it only sees what’s projected through a “A” filter. Filter B over your left eye makes sure it only sees what’s projected through an “B” filter.
In Simultain-O-Vision (that’s what I call it), there are two different images projected on the screen, only this time they are not representing what each eye sees. They are representing what each Sympathizer sees. Human Sympathizers get sunglasses with two “A” filters and no “B” filters. So they will only see the image projected through an “A” filter. Alien Sympathizers get sunglasses with just “B” filters. So they will only see the images projected through a “B” filter.
In practice, the “A” and “B” filters are actually polarized lenses set at certain angles. This means that if an audience member tilts his head even a little bit — or if the glasses aren’t made to an exacting standard — the angle of the lenses isn’t quite right, and he will see both visuals simultaneously and probably get a nasty headache. But some people will have more problems than others.
As a bonus, the “Sympathizer” aspect of the movie can be retained when the movie comes out on DVD. It can take advantage of the rarely-used “angle” button on your remote control so you can switch back and forth between Human and Alien perspectives while you’re watching the movie.
Hi hi hi there, droogs. This weekend, oh my brothers, I, your humble blogger and narrator, had a thought in my rasoodock to create this orange clockwork. Viddy well this malenky clock which you can hang in your domy for just a little pretty polly. Perhaps your pee and em, or some other veck or soomka you know would find this clock real horrorshow.
Now available in the Ironic Sans store.
If I had the time, the means, and the resources, I’d make a series of large paintings of those little cards that describe paintings in museums. They would be paintings of the cards that describe themselves. For example, I’d do a painting in oil on canvas that describes itself as being an oil painting on canvas. Then I’d hang it in a gallery next to a little card that’s identical to the painting, but is actually there to describe the painting. I’d do a whole series, with different materials. Oil on canvas, Acrylic on wood, etc. See the photo illustration above for an idea of how it might look.
[Note: This entry has been re-written for clarity]
You remember when you were a kid, and someone taught you that trick where you add “in bed” to the end of a fortune cookie fortune and hopefully make it funny? So a fortune that says “Your great imagination will serve you well” becomes “Your great imagination will serve you well in bed.” You get the idea.
Well, I’ve written a Greasemonkey script that only does one thing: It adds “in bed” to the end of the main headline at CNN.com. Just install it, visit CNN.com, and wait for the entire page to finish loading. Then read the headline. I haven’t decided yet whether or not it’s funny, but it sure amuses me.
I call it The CNN Fortune Cookie script. (Link goes to the script).
For those who don’t know what Greasemonkey is, here’s the scoop. The Firefox web browser allows people to write plug-ins to make it more useful. One of those plug-ins is called Greasemonkey, which allows people to write short scripts that make specific websites more useful, or slightly changes the web browsing experience, without writing a full plug-in. Greasemonkey doesn’t do anything on its own without a script installed. You can see what kinds of scripts are available by visiting userscripts.org. Some of them are pretty nice.
Caveat: I’m not much of a scripter, so I can only hope this works.
A few years ago at Superbowl XXXV in Tampa Bay, police set up digital cameras at strategic points in the stadium, and used computers to compare everybody’s faces to a database of known criminals on the loose. The city of Tampa used the same system to scan faces on the city streets for the same purpose. The system was unsuccessful and no arrests were ever made, according to an ACLU press release, but a controversy arose over whether or not it was an invasion of privacy to subject everyone to a virtual police lineup.
Between a poor success rate and the controversy over privacy, facial recognition software got a bad rap.
But maybe that could have been ameliorated if the technology had been used for entertainment purposes. What if the cameras scanned the crowds at the Superbowl and built a new database as it went, instead of using a database of known criminals, to find the two people in the audience who looked the most alike? It would be interesting to see, in a crowd of 100,000 people, how close a match can be found among strangers. Then, at halftime or during breaks in the action, the Jumbotron could showcase the closest matches in a series of “Separated at Birth?” moments.
How cool would that be to find your dopplegänger sitting just a few sections away at the Superbowl?
I noticed the other day that word balloons have the same basic shape as quotation marks. It’s interesting because both are used to convey that a person is speaking. That got me thinking of an instance where word balloons could be used as quotation marks, as a design element.
It would probably be weird to have them as part of a font set, but maybe it would look neat used for a pull quote in an article about comic books. It seems like every three years or so there’s another article about how graphic novels are finally getting respect as literature, so maybe the next time one of those pieces runs they can try out my idea.
For the example above, I thought it looked weird with open word balloons, so I made them solid black. And double-quotes looked odd to me, too. I decided a solid single-quote word balloon worked best. For actual use, a typographer or graphic designer could probably play around and find other variations that work even better.
photographer, I’ve occasionally been asked to speak with photography students about commercial photography, and invited to show some of my work. While putting together a digital slide presentation for a talk I gave not long ago, I realized that I missed the sounds of an old slide projector. The laptop and digital projector have completely replaced the carousel and trays of yore, and we no longer have that satisfying click-and-whir of the mechanical projector.As a professional
Surely, I thought, someone out there must make slide show software that mimics the look-and-noise of a real slide projector. I would love to have those noises coming from my laptop, leaving people in the back of the room wondering, “He’s not really using an old fashioned slide projector, is he?” But despite my searching I found nothing. I wanted to write such a program before my lecture, but it’s beyond my programming abilities. Heree are the features I imagined it might have, all of which could be disabled or varied from an “Options” menu:
It could have a very simple interface. Just let me browse to the directory with my images, and start the show.
The news lately has been full of reports of people’s Wii Remotes (aka “Wiimotes”) flying out of their hands and smashing into their television sets during heated gameplay with the new Nintendo Wii. Every time I hear reference to Flying Wiimotes, I keep thinking of that old Flying Toasters screen saver from the “After Dark” series that was so popular on people’s computers in the early 1990s.
So it got me thinking. Someone should combine the nostalgia of that old screen saver with this modern bit of technology history and make a Flying Wiimotes screen saver to commemorate this gaming snafu. It strikes me as a simple thing to do, but it’s just slightly beyond my programming expertise (or lack thereof). Anybody want to try their hand at it? There’s even an open source clone of the flying toasters screen saver as a starting point.
The people of Tokyo should construct a giant building shaped like Godzilla. Imagine what it would do to the city’s skyline, and to the tourism industry. People would come from all over to take pictures. His eyes could flash red so airplanes don’t hit him. There could be an observatory in his mouth so people could look out over Tokyo. One of his arms could house a bar, and the other arm a restaurant. They could serve drinks called Mothra Martinis and dishes like Grilled Gamera Steaks, with a side of Mashed Potatoes.
Conversations could take place like this one (translated from Japanese):
“Hey, I just got a new job!”
“Oh, really? Where do you work?”
“You know the Godzilla Building? I’m just a couple blocks South of there.”
Or maybe it could be partially residential. And then people could talk about that famous artist who used to live in the Godzilla Building in the apartment right above Godzilla’s left nipple. And then they could argue over whether or not Godzilla even has nipples.
Monster Movie conventions could be held in the building’s grand ballroom. A concert hall could be built between his legs. The Tokyo Philharmonic could call it their home. Season Ticket holders could get discounts at the Godzilla Gift Shop. There could even be a park at the bottom of the building, with Godzilla’s tail circling around it. They would call it Godzilla Park, naturally. And it could have a fountain in the shape of his footprint.
A friend of mine recently went to a convention for ventriloquists, and he brought me back a t-shirt from the event. It’s a nice enough shirt, but I feel weird about wearing it. I feel like I’m lying to everyone who sees me when I wear a shirt from an event I didn’t actually attend. Doesn’t wearing a shirt from an event make an implied statement that I was there?
Well, that got me thinking. What if I came up with t-shirts for events that never really happened? What if there were t-shirts for conventions, expos, gatherings, parades, and celebrations that don’t really exist? What implied statement does that make, exactly?
Well, now we can find out. I made a long list of imaginary events, and came up with t-shirt designs for nine of them. When I have time, maybe I’ll add some more. The ones I came up with are all available on t-shirts in the Ironic Sans store. So now you can wear a commemorative t-shirt from the following events that never really happened:
(Children’s Sizes Only)
In America, a person is considered innocent by the law until he is proven guilty. When the media cover a case where someone has been accused of a crime but not convicted, they follow the same guideline. And they should. If the news calls someone an arsonist, for example, but he is later determined to be innocent, the news could get in trouble for defamation or slander. So the word “alleged” is used.
Dictionary definition of alleged: “Asserted without proof or before proving.”
That’s great. The media shouldn’t go around convicting people before they’ve had their day in court. But what if there is proof, but the legal process hasn’t yet taken its course? What if the suspect was caught red-handed? Sure, there might be circumstances not yet known that would shine a completely different light on the situation. But when there is known evidence, maybe “alleged” isn’t the right word. I propose “apparent.”
Dictionary definition of apparent: “manifest as true on the basis of evidence that may or may not be factually valid.”
Let’s look at some stories in the news. In Orange County, Florida police have arrested a man for running an “alleged pot-growing operation.” News footage shows a dozen or so large marijuana plants found in his home. Now, sure, I suppose it could turn out that they’re plastic plants and nobody realized it. Or that someone else put them there to frame him. But given the evidence on hand, I think it’s weak to call this simply an alleged pot-growing operation. It looks like an apparent pot-growing operation to me. This acknowledges that the evidence still may be shown to be invalid, but it calls the situation what it actually is.
In Elmira, New York, an “alleged bank robber” is on the loose. A man approached two people making a deposit at an ATM, pushed them to the ground, and took their money. And he hasn’t been caught. Sure, it’s possible the victims made the whole thing up (the article doesn’t say whether or not the ATM’s camera caught all the action). But it seems to me that there is an apparent bank robber on the loose.
[Note: This paragraph not for the squeamish] And in Hong Kong, tragedy struck a woman who had previously reported domestic violence. This time, she didn’t survive. According to reports, she called emergency services, screaming that there had been a murder, and then she got cut off. Police arrived in her home to find her and two others hacked to death. The article headline calls this an “alleged murder.” Surely it’s safe to call it an “apparent murder,” isn’t it?
I understand the need to err on the side of caution. But the word “alleged” has an actual meaning. It’s not just a catch-all word to keep you out of trouble. There is another word that is just as cautious, and is often more appropriate. Apparently, not everyone sees it that way.
A guy is showing his girlfriend his brand new flat screen TV. He’s beaming with pride showing it off. “Honey, this is the best flat screen TV money can buy. It’s a 1080p HDTV with dual HDMI inputs, and digital audio output. It’s got a 1200 to 1 contrast ratio. It has four different memory card expansion slots for viewing digital photos or playing MP3s, and it auto-uprezzes from 480 and 720 sources with bicubic interpolation. The blacks are ink black. The whites are paper white. And the color is as vivid as real life. Baby, I’m telling you. This is the Cadillac of televisions.”
Then we see the Cadillac logo, and their latest fancy car rotating slowly against a black background. “Cadillac. We set the standard.”
This could be a whole series of commercials like this featuring different luxury products. Clocks. Fine wines. Pianos. Each one would have a person — maybe the product’s owner, or a salesperson, etc — extolling the virtues of the product, and finally calling it “the Cadillac of” whatever it is. Everyone knows that “The Cadillac of…” is frequently used to express that an item is at the top of its class. So why shouldn’t Cadillac capitalize on that? I’m surprised they haven’t already.
Previously: A battery commercial I’d like to see.
I saw a poster the other day advertising Mr. T’s new talk show on TV Land called I Pity The Fool. It got me thinking. Mr. T has had basically the same look for the entire time he’s been in the public spotlight. What if he shaved his mohawk? What if he shaved his beard? What would he look like?
After having trouble imagining it, I decided I might as well use Photoshop to help. A little cutting and pasting and — Wow. He sure looks different without the beard. Of course, once I had Mr. T without any facial hair, I found myself wondering what he would look like with different kinds of hair.
What would he look like with a pompadour? Or a handlebar mustache? Or a John Bolton mustache? What if Mr. T was wearing a hardhat and big goofy sunglasses? And so, with apologies to Mr. T, the Mr. T Virtual Playset was born.
The upcoming Nintendo system, called the “Wii” (pronounced “We”), knows how you’re moving the controller. In fact, some games are controlled without pushing buttons at all, but by simply moving the controller. In a tennis game, for example, you literally swing the controller like a tennis racket, and your character on-screen mimics your move.
So I’m thinking: Someone should come up with a game that uses a dumbbell accessory allowing you to attach the controller to your dumbbell. The game could have several component. There could be a section that’s just a normal workout, that just gives you training advice and lets you workout along with an on-screen trainer, and it tracks your progress because it knows how many reps and sets you’re doing by tracking your movement. And there could be actual games that incorporate your workout with the game. Maybe every time you raise the dumbbell over your head, you shoot an alien. Or punch an alien. Or pick an apple. Or something like that. I’m not a game designer, but I think it’s got potential.
I wouldn’t be surprised if something like this is already in the works. Maybe I should have foregone that gym membership in favor of the much less expensive Nintendo Wii.
I think there could be a very interesting reality show based around college admissions. I don’t mean a reality show where people are voted off or put in contrived situations. I mean a show like “The Hill” or “Tabloid Wars” on Bravo, which were each just a few episodes long, and shot like a documentary. This program would ideally be aired during the time of year when kids are applying to college.
It would follow half a dozen high school students all applying to the same high-end (Ivy League perhaps) college. Maybe theres a kid with Straight As who seems like a sure thing to be accepted, but may not be able to afford it if she gets in. Then there’s the really smart kid who seems like he could be a straight A student, but he was so bored by high school that he didn’t get very good grades, which puts him in danger of not being accepted to college. Maybe there’s the kid who really wants to go to this school specifically, and the kid for whom this is his third choice. A good cross section of kinds of students, and kinds of people, would be best.
The series would also show the admissions board. We’d follow them as they consider each student. What do they consider? Do they weigh certain issues more than others when it comes to certain students? Do they have disagreements about any of the students? How much do those low SAT scores matter for a kid who got good grades? Just how much do those extra-curricular activities come into play? What exactly do they consider most?
Seeing inside the process would be fascinating, and learning about these kids would give viewers a more vested interest in finding out who gets in and who doesn’t.
I think I would find the show really interesting. But when I mentioned it to someone who actually works in the Reality TV industry, he said that without putting people in contrived situations, the college admission process might end up just being really boring.
Perhaps I need to re-tool the idea, then. Maybe it should be a reality show about admission to clown college. Hmm…
Since Congress passed the Bipartisan Campaign Reform Act in 2002, candidates for federal office must state their approval of campaign ads. Most frequently, we hear the phrase, “I’m [candidate’s name] and I approve this message.” Sometimes, to make it less awkward, the statement is lengthened along the lines of, “I’m [candidate’s name] and I approve this message because it’s time to stop playing around in Congress, and time to start getting things done.”
Well I think an effective ad could be made that goes a step further and really embraces the “I approve this message” line as part of its campaign. It could go something like this:
“I’m John Candidate and I disapprove of the message this administration is sending the world by staying in Iraq. I disapprove of a the way the President is dealing with terrorism. And I certainly disapprove of the way Republicans are spending money with no regard as to who will pay the bills. It’s time to change the direction this country is headed. It’s time to remind the world through our actions that America is a noble country, a leader in ethics, economy, and education.
I approve of a plan to bring American kids back to school where they will recieve a top level education. I approve of getting health care where it’s needed most. I approve of helping Iraq get back on its feet and bringing our troops home. I approve of actions that send a message to the world that America is prouder, stronger, and safer than it ever has been.
I am John Candidate. And I approve this message.”
Of course, all those glittering generalities would be replaced by meaningful specifics and substance, but you get the idea.
I can think of several reasons why this would never work. And there are probably more reasons I’m not thinking of. But as a concept, I like it.
What if every streetlight had a corresponding streetlight on the other side of the planet, with fiber optics connecting them to each other? Instead of using lightbulbs, sunlight shining on one streetlight would be gathered through a lens, travel through the Earth along fiber optic cable, and come out its corresponding streetlight on the other end. Like this:
I’m sure it would be enormously expensive to set up a system like this. But imagine never having to provide electricity for a streetlight ever again. Surely it would pay for itself in the long run, right?
Of course it’s not enough to just have a corresponding streetlight on the opposite East or West hemisphere, but it would have to be on the opposite North/South hemisphere, also. Not just the “other” side of the planet, but the true “opposite” side of the planet. This would make sure that long days on one side of the planet are providing light during the long nights on the other side. But then this presents a new problem because it would require a one-to-one relationship of streetlights on opposite sides of the planet, and I’m pretty sure there’s more need for streetlights on the Northern Hemisphere than Southern Hemisphere, so that wouldn’t work out evenly.
But maybe that problem could be solved with giant “sunlight gathering centers” set up on the sunlit sides of mountains in the middle of nowhere, providing sunlight to the streetlights on the opposite side of the planet via fiber optics.
Another problem: it would be difficult to keep these things maintained, with Earthquakes and other wear and tear that would damage the fiber optic cables. And when new roads are developed, they would need new streetlights, and it’s probably tough to keep setting up fiber optic streetlights every time you build a road.
Yeah, I know. Impractical in reality. But still. I like the idea.
I was thinking about those “Hello my name is…” name tags the other day (doesn’t everyone?), and somehow that led me to this idea:
That way, if someone else was wearing the same name tag, then I could shout, “Hey! His name is my name, too!” And if I’m the only one wearing it, then people can shout, “Hey, there goes John Jacob Jingleheimer Schmidt!”
And then I thought, people probably wouldn’t walk around with that written on a name tag. But maybe it would be funny on a t-shirt. So I came up with a couple variations. The t-shirt is now available in authentic name-tag size versions, worn where you would expect to find a name tag like this, and bigger more graphic versions centered on the shirts. Like these:
Want one? Visit my shop to make a purchase.
Previously: Pre-pixelated clothes for Reality TV
I was recently shopping for paper at Staples when I had this thought: NBC should really license the “Dunder Mifflin” name to some paper company, and put it on real reams of paper. I don’t have brand loyalty when it comes to 8.5” x 11” paper, so it’s not like I can’t be persuaded to buy one ream over another. If I were buying paper at Staples and I saw the Dunder Mifflin brand name on a ream of paper, I’d totally get it. Just because it’s funny. Even if it cost a few cents more than the other brands.
They could even co-brand, for those people who haven’t heard of Dunder Mifflin or are afraid to try new things. The reams could say, “Staples [or some reputable paper company] presents Dunder Mifflin Paper” or something like that. And they could put a one-sheet ad for “The Office” in the packaging.
(Dunder Mifflin, for those who don’t know, is the fictional paper company whose day-to-day goings on are documented in the TV show The Office)
Back in the winter of 2002, while I was cocooning in my home after 9/11 like so many Americans, I conceived of a cartoon series all about grade-school versions of the various Clinton Administration characters. I called it “The Adventures of Li’l Bill & Hill and Friends.” There was Li’l Bill, and Li’l Hill, and Messy Monica, and Al, and Ken, and George, and Linda, and Janet, and Socks the Flying Cat (because every cartoon needs an anthropomorphic animal). I built a website for it that was partly a parody of Saturday Morning Cartoons, and partly a send up of the Clinton administration, and partly a parody of obsessive fan websites.
It was a big hit. Cory Doctorow at BoingBoing said, “This. Is. Amazing” (emphasis original). The Detroit Free Press called it “The work of a genius, albeit a warped one.” I got so much positive feedback that I even pitched it as a TV series to Comedy Central. But they didn’t bite. I guess the Clintons weren’t timely any more.
So of course I considered doing a version with Bush. But it was too early in the Bush administration to really know who the players would be that would make good characters, and what their personalities would be like.
Well, this morning, as I drank my coffee from my Li’l Bill & Hill Coffee Mug (seriously), I read an e-mail from a friend pointing me to this New York Times Article about a comedy writer named Donick Cary who recieved an offer from Amp’d Mobile to develop his own video project for wireless phones:
The result is a raunchy cartoon called “Lil’ Bush,” concerning the adventures of a grade-school version of President Bush and his pals, a heartsick Lil’ Condi, a raging Lil’ Rummy and a Lil’ Cheney reminiscent of the Frankenstein monster.
Yes, that’s right. Amp’d Mobile customers can watch the animated adventures of Lil’ Bush on their cellphones (and anyone can watch on-line). It’s essentially the same idea I had five years ago. But with George Bush. I had recently revisted this idea, even drawing some preliminary sketches of my version of “Li’l Bush” as a naive kid ready for adventure in his flight suit. But I didn’t have the time to develop it further.
Well it’s bittersweet to see that someone else has done it. Did Donick Cary see my Li’l Bill website? It’s possible. It got a fair amount of publicity, mentions on talk radio, that sort of thing. And it’s linked to on the right side of the main page on this site, which has also gotten enough publicity that it’s concievable he’s seen it. But it’s probably not such a novel idea that I could prove he stole it from me. I think the law would say that he could have come up with it on his own. Which he may have. And you can’t copyright an idea, anyway, just the execution of the idea, and I guess his execution is different enough from mine except for in the obvious ways (setting it at the White House, etc). But still, I can’t help but feel like I’ve been ripped off a little bit, even though it’s nice to see Cary’s version has come to fruition. Great minds and all that.
I’ve had this design floating around my head for the past few days:
It’s the iZod: an Izod branded series of bendy-style stands for your iPod, in preppy poses, wearing Izod shirts. There could be a Golfer iZod, and a Tennis iZod, and a Country Club iZod, and an iZod for, well, whatever else preppy people do.
In 1981, the movie Excalibur used an exciting piece of music from Carl Orff’s 1937 cantata Carmina Burana called “O Fortuna”. Even if you’ve never seen the movie, you’ve heard the music, because it has since become a cliché wherever exciting music is needed. Movies including The Doors and Natural Born Killers used it. HBO Boxing Specials used it. Those Capital One commercials with the vikings used it. I think I even heard it used on an episode of Everybody Loves Raymond once. The dramatic piece of music has become so pervasive that it almost parodies itself at this point.
So I thought it would be fun to have an on-line O Fortuna Short Film Festival, and invite people to set that song to whatever visuals they wanted, and for whatever effect they wanted — comedy, drama, action, etc — with a few simple rules: 1) The film may be about absolutely anything. 2) You don’t have to use the entire song, if you want to edit it to a shorter version, but keep in mind rule 3 which is: 3) Your movie may only be 20 seconds longer than the song. For example, if you use 3 minutes of O Fortuna, your movie may be up to 3 minutes and 20 seconds long (not including credits). This way, most of your movie is set to the music, but if you need a little bit of set up or something, you can do it.
I began planning a short film of my own for this blog entry, to introduce the idea of an O Fortuna Short Film Festival, but when I began searching on-line for a public domain recording of the music to use in my film, I realized that O Fortuna is not yet in the public domain and won’t be for some time. And apparently, the rights owners are sticklers about who they’ll license the music to. It seems Capital One and Ray Romano are worthwhile, but marching bands aren’t. I’m sure that’s what Orff had in mind when his will stipulated creation of a foundation to “preserve the artistic estate of Carl Orff and to maintain the legacy of his spirit.”
So we’ll have to wait. The copyright of works created in 1937 should expire in 2032. So check back then and we’ll get that film festival going.
[Note: This isn’t a call to arms to violate anyone’s copyright. Please respect the rights owners. But if you can get them to grant you a license for an on-line short film, let us know.]
These days, everyone wants your ear. You’ve got Sirius, XM, terrestrial radio, podcasts, CDs, MP3s, and your cell phone all competing for your attention while you’re in your car. For advertisers, “drive time” is the most important time of day. That’s when most people are listening to their radios, and it’s when advertisers spend the most money hoping you’ll hear their ads. But if you’re listening to anything other than terrestrial radio, the major advertisers are losing out.
But who’s listening to terrestrial radio anymore? According to Bridge Ratings, the company that measures radio audiences, people are listening to terrestrial radio less and less in favor of their MP3 players and podcasts. So how can terrestrial radio get those listeners back? They’ve tried new music formats and talk formats, flipping stations from one to the other and back, but they’re still losing listeners.
So I suggest a new format. Well, an old one, really. Why not revisit the golden age of radio, when the airwaves were filled with comedy and drama, and people were captivated by their radios?
CBS owns lots of radio stations. They also own one of the most popular TV franchises running, CSI. So how about producing a radio-only version of the show? Call it “CSI: Drive Time.” If it’s compelling, people will sit through commercial breaks to hear the resolution. Detective shows were big on radio back in the day. They could be again today.
Sure, you run the risk of people trading episodes on-line with the commercials cut out, like they do today with TV shows. But old time radio had entire shows sponsored by particular products, and so can modern radio. “Johnson’s Wax Presents CSI: Drive Time” isn’t too long a name, is it? And commercial breaks can be done by the radio program stars, just like they used to, integrating the commercial into the program.
“CSI: Drive Time” could be followed by last night’s Late Show with David Letterman. It’s already been recorded. Why not replay it for people who missed it? The production cost there is pretty much zero.
ABC Radio could have special radio-only episodes of LOST, which is owned by ABC. These episodes could feature characters on the island that we don’t see on the TV program, but whose stories would intertwine with that week’s episode. LOST has so many fans, they would surely stay tuned in through the commercial to hear what happens next.
And then there’s the old standby, the Sitcom. Radio-only sitcoms would be great. They could even be performed live in front of an audience, just like in the old days. If it’s a big hit, you could probably even make the leap from radio to television, having a built-in audience of fans who listened to the radio show.
As someone who grew up listening to recordings of old time radio, wishing I had been around at a time when I could have listened to them as they were broadcast, I would absolutely tune in to a station like this.
Have you seen Jowlers.com? It’s a website featuring pictures of people captured while shaking their heads back and forth really fast. It makes me laugh out loud every time I see it. They encourage people to shoot their own “jowler” photos using point-and-shoot cameras and send them in. I love it.
So I was thinking, what if I took jowler photos with more just a point-and-shoot camera? What if I set up lighting and a backdrop and treat them like more formal photos? Do they work just as well when they’re this stylized, or does the spontaneous look of a point-and-shoot camera work best? Well, it turns out that I can’t stop laughing when I shoot them, and I think they look absurdly great when they’re done.
But I need more volunteers. So naturally, I turned to Craig’s List in my search. But for the first time ever, Craig’s List let me down. I once used Craig’s List to get rid of a used bag of dirt (someone came to get it in less than an hour), but I couldn’t find anybody willing to pose for a Jowler photo. So I now turn to the blogosphere. If you are in New York City, and are willing to stop by my place for 10 or 15 minutes for an extremely silly project, drop me a line and we’ll set up some time for one of these weekends. I’ve got ideas for more elaborate jowler setups if you have even more time. You’ll find my e-mail address on the right side of this page.
What do you get for the eccentric executive who has everything? How about the Ant Desk? It’s part desk, and part Ant Farm. How creepy is it to work at your desk while hundreds of ants scurry all around you? Is it distracting? Fascinating? Did some of them get out? Do you think you feel them crawling on your legs? It’s the ultimate desk for nature lovers, bug lovers, and, well, other people who want a weird desk.
How does it work? It begins with a thick layer of glass or clear plastic. This protects you from the ants, and protects the ants from you. Below the glass is an open space with a thick layer of dirt, allowing the ants to crawl in, out, and around their tunnels, caves, and hills. This all rests on top of a sturdy base layer, which doubles as the bottom of the desktop. Small holes around the sides of the desk provide air, while being too small for the ants to escape.
Hundreds of ants will live happily for months, with just a little food and water periodically inserted through the feeding portals. For cleaning, the base layer can be built to slide out on casters like a large drawer, or the glass top may be hinged to open. I haven’t worked that out yet.
And when you get home, you can cuddle up with your loved one in front of the TV and rest your wine glasses on your Ant Coffee Table. The perfect oddity for any living room.
Recently announced in partnership with CafePress.com, New Line Cinema is encouraging anyone and everyone to become an official licensee of merchandise for the upcoming movie Snakes on a Plane (which, if you haven’t heard by now, promises to be exactly the sort of movie you think it will be based on that title). Most of the movie’s buzz has already come from movie fans on the internet resulting in a flurry of free publicity for the film, and there are tons of unofficial products already out there. So it makes sense that New Line continues to take advantage of the hype with this promotion that lets you say you’re an “official” licensee.
Well, this weekend I had some blank paper and some art supplies and a little free time, so news of the CafePress deal inspired me to join the bandwagon and come up with my own Snakes on a Plane inspired design. I call the resulting picture “Plane in a Snake.”
I wasn’t sure I would actually do anything with it — I’m not generally a “join the hype” type — but as it turns out I like how it looks on the shirts. I think my favorite product might be the baby bib featuring the Plane in a Snake. But even if you don’t have a baby in need of a bib, check out the store anway, where you can find the drawing on a variety of stylish shirts and other fine products like these:
The other day I thought I saw someone wearing a shirt with a DNA pattern. When I got closer, I realized that the shirt just had little drawings of trees all over it. But then I got to thinking, why not? These days it’s not too expensive to get your “DNA fingerprint” made, right? Several companies, like DNA Artistry and DNA11 will already create custom artwork from your DNA, so why not take the technology in a different direction and make shirts? Having a pattern created from your DNA should be a simple step.
Okay, it might end up being an expensive shirt, but look at that pattern. It’s futuristic, yet retro. It’s 1970s meets 2070. It’s pret-a-porté meets your DNA. And they make perfect gifts. Nothing says “I love you” better than your DNA on your loved one’s clothes, right?
Previously: Pre-pixelated clothes for Reality TV
The College Board, which administers the SAT test, periodically makes changes to the SAT format. Most recently, they eliminated the analogies section and added an essay section. Well, I have an idea for a change that I’m very excited about. It would have profound implications, I think, if the College Board added a “Critical Thinking” section to the SAT.
Critical Thinking skills are among the most important skills a person can have, but they aren’t taught very much in school. I’ve racked my brain trying to think how Critical Thinking could be made more important to students and educators. Making it an SAT category would go a long way.
Every university would want students that score high in that section. And it would fit perfectly in test prep courses, too, because the types of questions on the test would be easy to study for. Just learn the basic forms of valid arguments and common fallacies, and learn to identify them in context. And as an added bonus, if you study well enough to answer the Critical Thinking questions on the test, you can apply Critical Thinking to real life, too.
I’ve come up with a few examples to illustrate how I imagine the section. Different kinds of questions would test a student’s knowledge of basic argument and fallacy forms, and their ability to identify them. I’m not a test writer, and I’ve never taught Critical Thinking, so there may be problems with these examples from either perspective, but this is the basic idea:
1) If Tom is a cat, he is a mammal. Tom is a cat. Therefore, Tom is a mammal.
This statement follows the argument form:
a) modus ponens
b) modus tollens
c) straw man
d) begging the question
e) none of the above
2) In a double-blind study of 2000 men, 60% found Brand X medicine effective in alleviating their headaches.
This statement shows:
a) Brand X is effective because a majority of men’s headaches were alleviated when they used it.
b) Brand X is ineffective because 2000 people are not statistically significant
c) Brand X is effective because double-blind studies are always accurate
d) Brand X is ineffective because only men were tested
e) There is not enough information to know whether Brand X is effective
3) On the planet Syllo, there are Frebats and Lidgemonts. It is well known on Syllo that all Frebats are Twacklers. Betty lives on Syllo. Betty is a Twackler. Therefore, Betty is a Frebat.
The conclusion “Therefore, Betty is a Frebat” is logically sound.
4) The “false dilemma” fallacy is sometimes called:
a) the black or white fallacy
b) the bifurcation fallacy
c) the false dichotomy fallacy
d) all of the above
e) none of the above
Have you heard about all the problems New Jersey has been having coming up with a motto to attract tourists?
First, the state paid $260,000 to a consulting firm to come up with a slogan. They came up with, “New Jersey. We’ll win you over.” It was quickly rejected. Then the state held a contest to come up with a new slogan. The big winner was “New Jersey. Come see for yourself” submitted by Jeffrey Antman of Passaic, New Jersey. Well, a couple months ago they scrapped that one too after realizing that other states have used it in the past.
The consulting firm was on the right track in recognizing that many potential tourists have a negative view of New Jersey, and a good slogan could help people get over that hump. But “We’ll win you over” doesn’t convey that there’s anything good about the state. It almost reinforces the idea that it’s overrun by mobsters who will get you to like the state one way or another.
So I’ve come up with a slogan for New Jersey that I think captures the spirit of the state, and may entice people to visit who wouldn’t consider it otherwise. Imagine a whole campaign showing the lush vegetation, beaches, concerts, quaint little towns, and, well, whatever else they have there across the Hudson. And the slogan reads:
“New Jersey. It’s not what you expect from New Jersey.”
You like that one, New Jersey? Okay, so maybe off the bat you think it’s not positive enough. Now imagine it said in a really upbeat tone by someone like George Clooney. You like it now, huh? Well, you can have it for the low price of only $25,000. And I guarantee that no other state has used it.
The TV industry is worried about people swapping their TV shows on-line. So they’re trying to preempt the pirates by making several popular TV shows legitimately available, either for pay or ad-supported. Meanwhile, programs like LOST are experimenting with on-line puzzles which take people deeper into the world of the show by making you visit different websites, etc.
What if a TV show embraced both concepts, and did something like this:
A TV show where the East Coast and West Coast see slightly different versions of the same episodes. Just a few key scenes would be different. Some clues would appear on the East Coast version, and different clues would appear on the West Coast version. You could watch just the version for your part of the country and follow the program just fine, but in order to get the complete picture, you’d have to go on-line and swap files (or watch legitimately) to see what the other coast saw.
Or at TV show where the East Coast and West Coast see entirely different versions. Maybe a show like 24 could have an integrated spin-off. Imagine if CTU Los Angeles had to stop a terrorist attack, but they can’t do it all themselves, so they work in conjunction with CTU New York. First, the East Coast would watch CTU New York, and then in real-time the West Coast would see the next hour at CTU Los Angeles. They would each have their own stand-alone storyline, but also have a crossover story. If written correctly, the programs could then swap at the end of the season — the East Coast could air CTU Los Angeles, and the West Coast could air CTU New York.
I’m sure there are a dozen reasons why this isn’t real practical. But I like the idea.
Related: Idea: A new movie gimmick
I’ve had this idea for a while. I imagine it’s not practical, but I like the concept.
Imagine a movie campaign that doesn’t show you any scenes from the movie. It doesn’t even tell you the genre. It just features respected people from the world of entertainment telling you that, while they can’t tell you much about the film, they can highly recommend it. But they’re afraid to give anything away, so you’ll just have to trust them.
So you go see it. It’s about a bank heist gone wrong (or whatever). And it’s intense and scary and suspenseful. And then you mention it to your friend. She saw it also, but she didn’t find it scary at all. To the contrary, she thought it was hilarious.
“What do you mean hilarious? That scene where he holds his own mother hostage while the snipers are about to shoot him had me on the edge of my seat!”
“The edge of your seat? No way. That was one of the funniest scenes in the whole film!”
Turns out that there are actually two separate movies made with the same cast, same sets, and same basic plot and key scenes. But one is written for suspense, and one is written for comedy. Which version you see depends entirely on what movie theater you ended up in. The fun comes once people realize this. Then hopefully they’ll go out to see the version they missed.
Of course, the success relies on a lot of unlikely circumstances: Will people see a movie they know nothing about? Will both versions of the movie be good? Will the secret stay a secret long enough for people to be surprised? Can the logistics and cost of making two movies simultaneously be justified? Like I said, it’s probably not real practical. But I like the idea.
Related: Idea: A new TV show gimmick
I’ve heard “Margaritaville” about 500 times too many on jukeboxes in bars. It might be worth five bucks to me to be able to skip that song the next time someone plays it. Someone should make a jukebox that features a big “SKIP” button and charge five bucks to use it. I think five dollars is just the right amount. It’s high enough that someone won’t keep skipping songs just to be a jerk, but low enough that I can afford to skip that one song that I really just can’t stand to hear one more time.
What’s that song for you? Brown Eyed Girl? Sweet Home Alabama? Paradise by the Dashboard Lights? Hotel California? You know there’s a song out there that would get you to use this feature. It further monetizes the jukebox for the bartender, and makes the bar a much better place in which to hang out. At least for me, anyway.
A recent entry at the website 43 Folders highlights some tips on packing light when you travel, suggesting among other things that you pack only one carry-on item when you fly. It reminds me of an idea I had after reading a recent article in Wired about how airlines use computer models to figure out the fastest way to get people on airplanes. From the Wired article:
[Scientists] looked at interference resulting from passengers obstructing the aisle, as well as that caused by seated passengers blocking a window or middle seat. They applied the equation to eight different boarding scenarios, looking at both front-to-back and outside-in systems. “Ultimately, the issue America West needed to address was time… We figured a system that reduced interference between passengers would also cut boarding time.”
So I’ve been thinking. It seems to me that a lot of passenger interference is caused by people blocking aisles to put things in the overhead bins. So why didn’t they run computer models which factored in boarding people by whether or not they have anything for the overhead bin?
What if the check-in kiosk, which already asks you how many bags you have to check, also asks, “Do you have anything to go in the overhead bin, such as a bag or jacket?” and considers your answer when assigning you a boarding group?
I don’t know where in the order these people should go for fastest boarding (first? last? interspersed?) but the computer can figure that out. I expect that people with nothing for the overhead bin will get in their seats faster than people with large carry-ons, and the plane can get off the ground much sooner.
Okay, this one’s so simple that I shouldn’t even have to say it. It should have been done already.
The new Macbook still has just one button for clicking. A right-click is simulated by holding down control while you click. Or you can use the convoluted right-click shortcut where you put two fingers on the Trackpad while you click the Trackpad button with another finger. Yikes.
So to Apple I suggest the following solution. It merges the functionality of two buttons with the look and feel of one button:
Yes, it’s that simple. One button that you can click on either side of. And for people who don’t like this new style of button pushing, let them go to their Preferences and turn off two-button functionality, restoring their computer to the old fashioned single-button style they’d gotten used to. This way, instead of debating over what method of right-clicking works best, people can have all the options available and decide for themselves.
Apple can make music players that know where they’re being touched. They make a mouse that knows where it’s being touched. They can make a Trackpad that knows where it’s being touched. Why can’t they make a single button that knows where it’s being touched?
Many people are already familiar with the disorder known as Munchausen Syndrome by Proxy. This is a form of mistreatment where a caregiver, usually a mother, pretends that a child has an illness, and the child is subjected to all sorts of unnecessary testing and treatments, just so the mother can get some attention.
But what about a child who pretends that his mother has Munchausen Syndrome by Proxy, just so he can get some attention? I submit that this child shall be diagnosed as having Munchausen Syndrome by Proxy by Proxy.
Look for it in the DSM-V.
Why isn’t there a word that means “Word of the day?” Well now there is.
Lexidiem. n. sing. lek-si’-dee-im. (preferred) lek-si-dee’-im (altern. accepted) 1. Word of the day. [Modern American English, from Greek lexis (word) and Latin diem (day), reflecting the hodgepodge of international roots that make up Modern American English words].
I want to see a website that lets me keep track of something simple for a set period of time, and then compares it to a database to search for correlations. For example, over the course of a week or month or year, or even on an ongoing basis, it could ask, “What did you have for breakfast today?” or “What color shirt did you wear today?” or “How many calls did you get on your cell phone today?” Maybe a daily e-mail would remind you to log in with the answers.
Then it would compare the answers to other things that are already tracked such as the stock market, phases of the moon, sports scores, etc., and spit out some correlations.
It could tell you “On 93% of the days on which you ate eggs for breakfast, the stock market went up.” Or, “When the moon is waxing, you are 88% more likely to wear a green shirt than when it is waning.” Or, “On days when you get more than 7 phone calls, the Yankees win their games.”
Or, if you opt in to share your information with others, it could tell you, “For the past year, you’ve been on the same Green Shirt Schedule as Joe Shmoe of Hackensack, NJ, who has worn a green shirt every day that you did.”
There would need to be a notice reminding people that there is no causation implied by these findings, just correlations. People have a tendency to apply too much meaning to these sorts of things, and think they are evidence of paranormal phenomenon or conspiracy. But I think it’s interesting just to look at these things for the sake of seeing how easy it is to find coincidental correlations retrospectively. If such a project existed, maybe it could show people just how common coincidence really is with an experiment they can participate in themselves.
Maybe this idea is obvious enough that somebody is already developing it, but I did a quick search and didn’t see anything. So I submit the following.
Why doesn’t someone make a compass to help you find your car in the parking lot? This should be an optional accessory for every GPS-enabled car. You should be able to get a keychain or purse-sized device that will point to your car so you can find it when you come out of the mall, grocery store, etc.
Obviously, this presents a small problem because if someone finds your keys they can find your car and drive away with it. So maybe there’s a keypad on the device so you can type in a password. Or, if it can be done cheaply enough, there can be a thumbprint scanner attached, to make identification even simpler.
It seems these days that Hollywood scrapes the bottom of the barrel for movie material. Of the movies opening this summer, 7 are sequels and 17 are remakes or adaptations.
Well I’ve decided to do Hollywood one better. I’ve gone back further than anybody ever has before to remake a movie. I’ve remade one of the earliest known movies, an 1894 film called Edison Kinetoscopic Record of a Sneeze, also known as Fred Ott’s Sneeze, starring Thomas Edison’s assistant Fred Ott. You can view the original film here, courtesy of the Library of Congress.
My remake is more of a re-imagining, really, than a remake. I’ve decided not to make a period piece, but instead to modernize the story of one man’s struggle to remove an irritant from his nostril, setting it in the present day in a small apartment in New York City.
Here is my film, simply called Ott. Enjoy.
Bonus: Watch the extended Director’s Cut of Ott.
Remember the last commercial idea I had? Well I like this one even better. Okay, picture this:
The commercial begins with a shot of a bedside alarm clock. There’s a cell phone next to it. The alarm clock turns from 6:59 to 7:00 and the alarm goes off. A woman’s hand turns off the alarm, and the cell phone immediately rings. The hand grabs the phone. We hear her sleepy voice. “Yes.” Pause. “Yes.” Pause. “Yes.” Pause. Cut to…
The woman brushing her teeth, still holding the phone to her face while she brushes. As she brushes, she’s talking into the phone. “Yes.” Pause. “Yes.” Pause. Cut to…
The woman goes about her day. She’s making breakfast while she talks. “Yes.” Pause. “Yes.” Pause.
She’s shopping for groceries. Still talking. “Yes.” Pause. “Yes.” Pause.
She drops some letters in a mailbox. “Yes.” Pause. “Yes.” Pause.
She does various other daily routine activities, all while talking on the phone. “Yes.” Pause. “Yes.” Pause.
Her day comes to an end. She’s back at home. It’s evening. She sits down on her living room couch to watch TV. She still has the phone to her ear. “Yes.” Pause. “Yes.” Pause.
We can see a big window behind her over her shoulder. It looks out onto her front yard. “Yes.” Pause. “Yes.” Pause.
Outside her window, the Verizon Wireless Guy steps into view. We hear him ask into his phone, “Can you hear me now?”
The woman answers into her phone, “Yes.”
Verizon Wireless Guy takes a step. “Good. Can you hear me now?”
She turns and waves at him through her window. “Yes.”
Verizon Wireless Guy waves back, takes a step. “Good. Can you hear me now?”
Tagline: “Verizon Wireless. Keeping calls clear for both sides of the conversation.”
Or something like that. You can thank me at the Clio Awards, Verizon!
NOTE: After two years working just fine, the map is having problems. I’m trying to fix it. Sorry for the inconvenience. Should be fixed now. Let me know if you have any problems!
Hey! There’s a Ghostbusters symbol in my Google logo! What’s going on? One’s a movie, and one’s a search engine. Next thing you know, fish will be flying, trees will be swimming, cats and dogs living together — mass hysteria!
Welcome to the Interactive Google Maps Guide to Ghostbusters. You can click the Google logo above or the map image below at any time to launch the map in a new window, or read on for more info.
I’ve created a mashup of Google Maps and every New York City location used in filming the movie Ghostbusters and its sequel Ghostbusters 2 that a person might be likely to visit on a trip to Manhattan. It’s my first time using the Google Maps API, but I think I’ve come up with a slick way to use it. But still, let me know if anything doesn’t work right.
Also, if you’d like to link to the map, please link to this entry’s permalink instead of the map itself. Thanks.
Ready? Check it out! The map will open in a new window.
Chess is a game of war. So for those who disapprove of war, I’ve come up with the Pacifist Chess Set. The concept is illustrated above.
At first glance, it looks like you could play a legitimate game of chess with this set. But once you start playing you realize that you can’t play for very long — at least not very easily. As you play, and your pieces get closer to your opponent’s pieces, it becomes apparent that one side’s pieces are indistinguishable from the other side’s pieces. They are all the same color.
It’s not really a functional chess set. It’s more of an art or conversation piece. It makes the statement that, no matter what side of the battle we’re on, we have in common that we are all human.
[I got this idea while wandering through the Imagery of Chess Revisited exhibit at the Noguchi Museum in Queens. The exhibit is only around for two more weeks, but if you get a chance I highly recommend a visit. It features works by Man Ray, Marcel Duchamp, Max Ernst, Alexander Calder, and others. A book is also available, in case you miss the show.]
The phrase “Less is more” has become ubiquitous enough that, in keeping with the spirit of the expression, I think it should be shortened to simply, “Less is.”
Remember when you were in third grade and the school nurse gave you that test to see if you’re color blind? The one where she shows you a circle made up of smaller colored circles and asks you what number you see? That test is the Ishihara Test of Color Vision.
I’m fascinated by perception, especially by the uncommon traits that make some people’s perception different than the rest of us — color blindness, tetrachromatism, synesthesia, monocular vision, etc. I also enjoy original art. I decided to combine the two interests by making a triptych out of three Ishihara color vision test plates.
At greater expense than I anticipated, I obtained a set of Ishihara color vision test plates. I picked out three plates that I felt looked good together, and blew them up to a size suitable for framing. The entire finished triptych, seen above, hangs above my bed. I think it makes a compelling piece of art.
It’s titled “57-74-8, or 35-21-3”
Want to make your own? Click each thumbnail below to download a high-res image you can download, print out, and frame.
Did you know that AOL’s recently launched slogan for AOL Instant Messenger is “I AM”? Aside from being offensive to oversensitive religious people, it’s really, really lame.
I suggest a new slogan: “What’s your AIM Name?”
It’s so easy. It’s simple. It rolls off the tongue. It rhymes. It’s fun to say. It’s a sentence people will find themselves actually using in real life. Imagine a whole ad campaign revolved around “What’s your AIM Name?” Ads can show people meeting each other in bars, at school, in business meetings, etc., asking each other, “What’s your AIM Name?” It works in a million different scenarios. Then the announcer or ad copy can ask the viewer, “What’s your AIM Name?”
People will think of the ad when they’re meeting new people. They’ll swap information. They’ll ask for your phone number and your AIM Name.
It can even be reinforced by the product itself. Logging on to AIM right now, it just asks for your “ScreenName.” But the product itself can ask “What’s your AIM Name?” when you log in.
Now if only I can find a use for all those free AOL CDs…
I know, designing your own WTC memorial is so 2002. But it’s been years since the World Trade Center Site Memorial Competition, and there’s been next to no progress on actually building anything. Last week, some dirt was moved around and people got angry about it. So I’ve been thinking again about my own monument design that I came up with a few years back, but never actually rendered. It’s nice to finally get it out of my head and on paper. Er, pixel.
When viewed from one direction, my memorial resembles the original towers. It stands tall and proud. It’s big and bold. Its height depends aesthetically on where it will be placed — in a memorial park, I assume — but I imagine it being really tall, the tallest thing in the park, peaking out above the tallest trees, or (since the tallest trees will eventually grow) in the middle of a clearing. The names of the September 11 victims who lost their lives are engraved in lines on the faces of the towers, like the lines of windows on the buildings.
So viewed from one direction, it looks like the towers themselves. But when viewed from another direction, the monument becomes an empty shell. It’s a reminder of how fragile the towers were, and of the empty space they used to occupy. It’s very, very simple. Hopefully it’s also poignant.
In my original vision, these were as big as the original towers, becoming part of the city’s skyline in the same way the original towers were. Viewing Manhattan from one side, you’d see the towers’ silhouette and the skyline looks just like it used to. Viewing from another direction you’d just see the outline of where they were. It’s a grandiose vision. But probably not realistic, so I shrunk it down to a size suitable for placement in a park.
To get the best view of the monument, and really convey how it looks, I’ve put together an animated fly-around that shows it from all sides.
And for those who might be interested, a note about how I created these images and the animation is after the jump.
A note about how I created these images.
I used a program called SketchUp. I loved it enough to heap the following unsolicited praise.
I’d never heard of SketchUp before I read last week that Google acquired them. And neither, apparently, had the Google Toolbar spellchecker, which thinks I’m writing about ketchup.
Anyway, when I came up with this monument idea several years ago, I drew sketches of it, but none of them really did the idea justice the way a 3D rendering could. But I knew nothing about CAD and the learning curve seemed steep. I considered building an actual 3D model, but what would I do with it once I’d made it? I have no room for such a thing in my apartment. But after viewing SketchUp’s demo on their website, I realized I’d found a tool even I could use. SketchUp makes 3D rendering easier than sketching. Seriously. I downloaded the free trial version (fully functional for 8 hours), watched the tutorials for about 15 minutes, and put all this together in about an hour. None of my sketches of this concept ever looked this good. It’s a cool product. I congratulate them on their recent successes.
Look, I didn’t say it’s a good idea. I admit that it’s ugly as sin. Every bit of empty space in our lives is slowly being taken over by ads, so why would I want even more? Well, have you noticed how expensive your airplane tickets are getting? Airlines are filing for bankruptcy protection, seats are getting less comfortable, and you’re asked to pay $6 for a box of stale crackers on a flight.
I was on a plane yesterday, and I noticed that with all the ads they were showing us on the overhead TVs, and all the ads crammed into the in-flight magazine, there was all this prime advertising real estate overhead that wasn’t being used. You already see overhead ads on the subways, on buses, in taxis, and on trains. Sometimes you’re even glad it’s there so you have something to look at to avoid eye contact with the person sitting across from you. So what’s a little more advertising on another mode of transportation?
I’m not even sure I should file this under “Ideas.” Maybe I need a category called “Predictions.” This seems sort of inevitable to me.
(This entry’s alternate title: What do a surfer, a belly dancer, and a Rabbi all have in common?)
In January, I heard an incredible story on NPR about the song “Misirlou.” You know the one. You heard it during the opening credits of Pulp Fiction. It’s the surf-guitar song by Dick Dale. It goes “Dow di-di-dow-dow dow di-di-dow-dow di-dowwwwww…” Yeah, that one.
Well if you didn’t already know (I sure didn’t) Misirlou is actually even older than Dick Dale (no offense, Dick). It’s been recorded in different manners, with different instruments, and different tempos, by dozens of people over the years. It’s a Rabbinical chant, an old Greek tune, a belly-dancer’s song, and eventually a surfer hit.
You owe it to yourself to listen to the Weekend Edition story and hear snippets of different versions. And you can even hear Dick Dale explain how and why he turned that song into the surfer classic it’s become.
I wanted to hear more. So I put together an iMix in iTunes with every version that wasn’t just like the one before it. So here, for your listening pleasure, an album of Misirslou covers (iTunes required).
I do a fair amount of travelling, and I don’t always have time to eat before I leave for the airport. Sometimes I get stuck in terminals for hours due to layovers or delays. And one thing I’ve learned is that there is an enormous inconsistency in food quality at airport restaurants.
Most of them are just awful. Everything’s greasy, undercooked, overcooked, or just plain tastes bad. There’s butter slathered on everything. But every now and then I eat at an airport restaurant that’s delicious. I might as well be eating at my favorite restaurant, that’s how delicious it is. I’ve been to airport restaurants that served as test kitchens for famous restaurants. And I never would have known about them if I hadn’t stumbled upon them.
So why doesn’t someone build a website that reviews restaurants in airports? That way when I’m taking advantage of the terminal’s wi-fi connection and I realize I’m getting hungry, I can hop on-line at whatever.com and see what the best restaurant in my terminal is. Or if I know I’ll have a big layover in Chicago, I can look up the restaurants before I go and see what gets the best reviews?
Unfortunately, I really do have air travel to do this week, and I can predict I’ll be in a rush getting to the airport and won’t have time to eat first. Can anybody recommend a good restaurant at Miami International?
I don’t watch much Reality TV, but I’ve seen enough of it to notice an on-going phenomenon: Someone wears a garment with a trademarked logo or artwork on it, and the producers have to pixelate it beyond recognition in post-production. Of course no Reality TV star wants their shirt, which displays their well-chosen article of self-expression, senselessly pixelated so nobody can see it. But no Reality TV producer wants to deal with the headache of removing said article of self-expression to avoid trademark violations. The pixelation process seems like an awful lot of trouble to go through for something that could have been avoided with a little pre-planning.
So I’d like to introduce my new line of pre-pixelated clothing for Reality TV shows. If you’re going to be on a Reality TV show, you can buy one of these fine products and save someone a lot of headaches later. In fact, if you live in an area where a reality TV show is taping, you should think about getting one of these shirts in case you get caught in the background of a shot. And if you’re heading to audition for a Reality TV show, maybe you should wear one of these shirts to the audition so they know that you’re really serious about Reality TV.
Available here in these and other fine styles:
Update: Hey, this little post has become popular! So now I get to say, “As seen on: TVGasm, MSNBC, USA Today, Wired, Entertainment Weekly, Defamer, Fark, Digg, Kottke, Consumerist, the Morning News, Boston.com, C|Net, and about a hundred other blogs.” Thanks!
Update: And now I’ve made the New York Magazine Approval Matrix!
There should be a convention for Bob Balaban fans called Balabananza. Imagine:
People show up dressed as their favorite Bob Balaban character. “Look, I’m dressed like Enid’s Dad from Ghost World!” “Hey, check out that guy who’s dressed like Bob’s character Ted Marcus from that episode of The West Wing that he guest starred in during the 2000 season.” “Woah, that guy has every detail perfect from Bob’s costume in Gosford Park!”
There could be panel discussions with topics like:
Celebrity guests on the panels could include people Bob’s worked with, like Brian Sawyer, director of Tex the Passive-Aggressive Gunslinger and that guy who played Guffman in Waiting for Guffman who I can’t picture for some reason right now (not Paul Benedict).
And there could be a whole area for vendors. You know, companies that sell Bob Balaban merchandise. Vendors like Balabanana Republic — the finest purveyor of octagonal-framed glasses — and Elmerson Entertainment, the video game company whose long-awaited terrorist-hunting game “Balaban vs. Taliban” is scheduled to finally hit stores.
It would be great. I can’t wait to go.
A commercial I’d love to see, using borrowed footage from the movie “Say Anything…” with new footage integrated. Picture this:
Ione Skye is upstairs sleeping in her bedroom. Outside, John Cusack stands below her window with a boombox held up high over his head. He’s blasting “In Your Eyes” by Peter Gabriel. Ione wakes up. “…the light, the heat (your eyes), I am complete (your eyes)…” Where’s that music coming from?
Down below, the batteries die in John’s boombox. He can’t believe it. Now, of all times! The camera pans over to a shorter, geekier guy standing a few feet away, holding a boombox over his head, too. It blasts, “Nothing’s Gonna Change My Love For You” by Glenn Madeiros. We see that it’s powered with [whatever brand] batteries. Ione goes to her window and sees geeky kid down below. His boombox blares. “One thing you can be sure of, I’ll never ask for more than your love…” She swoons.
[Whatever brand] batteries. Nothing lasts longer.
Thinking about different fonts one day, I decided that “Ironic Sans” would be a good name for a serif font. Maybe one day I’ll get around to designing it. In the mean time, I think it makes a good name for my blog.
“Ironic Sans,” the blog, is a place for me to write about art, culture, technology, law, politics, current events, critical thinking, and other topics that appeal to me. I will have a number of regular features on this site, and various articles long and short as they come to me. I hope you enjoy.