Mad Men Don’t Lie
I’m pretty good when it comes to grammar, but my wife is better, as I’m reminded every time I misuse the word lay and she corrects me. Some bad grammar sticks out like a sore thumb for me, but lay/lie misuse goes past me every time. My wife never fails to catch it, and she seemed to be pointing out lay/lie misuse every time we watched Mad Men. We wondered whether it’s the fault of the actors, or if they’re saying the lines faithfully as they’re written.
I decided to turn it into a learning opportunity. If I could catch every use and misuse of lay and lie in every episode of Mad Men so far, surely that would pound the lesson so firmly in my brain that I will never confuse the words ever again.
And so I made the video embedded above. Here is a list of every quote, from each episode in the first three seasons, in the order they appear in the video:
2.10 Joan: “Go ahead. Lay down. I’ll keep the drunks away.” (incorrect)
3.06 Joan: “Go lay down.” (incorrect)
1.10 Peggy: “Maybe you need me to lay on your couch to clear that up for you again.” (incorrect)
2.05 Peggy: “Do you mind if I lay down?” (incorrect)
2.05 Peggy: “I have to lie down” (correct)
1.03 Betty: “I’m going to go and lay the kids’ food out.” (correct)
3.01 Pete: “I should just lay down and we should run together holding hands.” (incorrect)
3.08 Pete: “I’d lie in bed at night, hear horses going by.” (correct)
1.13 Pete: “I think I should lie down.” (correct)
2.02 Don: “I’m going to lie down for a minute.” (correct)
2.12 Don: “Can I take a shower and lie down?” (correct)
2.10 Don: “Do you want me to lay everything out for you?” (correct)
3.09 Don: “I’m going to go lie down.” (correct) [Note: The subtitles for episode 3.09 say that Don says “I’m gonna go lay down” which is incorrect. But it sounds a lot to me like he says “I’m going to go lie down,” so I gave him a pass.]
3.11 Don: “I’m going to lie down.” (correct)
3.12 Don: “Take a pill and lie down.” (correct)
2.08 Ken: “You need someone to lay down on the barbed wire so you can run over them.” (incorrect)
3.07 Henry: “Victorian ladies would get overwhelmed. Corsets and things. They’d need a place to lie down.” (correct)
1.04 Client: “I hate to be a pain in the ass, but if they didn’t just lay there so flat.” (incorrect)
3.03 Carla: “Maybe you should lie down. Sally!” (correct)
2.04 Sally: “Do you lay on top of her?” (incorrect)
2.11 Jane: “I lay on my pillow at the Sherry-Netherland Hotel.” (incorrect)
2.03 Jennifer: “I need to lay down.” (incorrect)
2.04 Katherine: “And I don’t care if you have to lay there. Put your shoes on!” (incorrect)
2.04 Gerry: “I’m sorry, I’ve gotta lay down.” (incorrect)
3.12 TV: “Then Governor Connally, after slumping to the left for a moment, lay on the floor of the rear seats.” (incorrect) (correct) — My mistake. The reporter is speaking in past tense.
I originally included three clips that I later decided to remove:
In episode 3.01, Sal says, “Our worst fears lie in anticipation,” which is correct. But he’s quoting Balzac so I wasn’t sure if he should get credit for it. In fact, he even follows up the line by pointing out, “That’s not me. That’s Balzac.” (The actual Balzac quote is “Our worst misfortunes never happen, and most miseries lie in anticipation.”).
In episode 3.05, Don uses the same Balzac quote after hearing Sal say it. Again, I was unsure whether or not to include it for the same reason. But I did like that the character he’s talking to replies, “Are you sure about that?”
In episode 3.09, Sal says, “I think if I get away from Lucky Strike and lay low from Roger for a day or two, everything will be fine.” I wasn’t sure if the common expression lay low is grammatically correct or not. So I looked it up. Dictionary.com says that lay low means to overpower or defeat (as in “to lay low one’s attackers”). The phrase Sal should have used is lie low which means to conceal oneself (as in “Until the dispute is settled, you would do best to lie low.”). So Sal’s usage is technically incorrect. But “lie low” falls strangely on my ears, and lay low is a common enough expression that I couldn’t decide whether to give it a pass or not, so I chose to simply not include the clip at all.












Next year, Tim Burton’s version of
As George Bush prepares to move out of the White House at 1600 Pennsylvania Avenue in Washington, DC, and Barack Obama prepares to move in, I thought I’d take a virtual trip around the country and see what’s going on at other locations with the same address. 














As summer ends, so does the blockbuster season. It’s time to stop watching movies all day and start attending classes. But wait! What if there were a way to do both? I thought it would be interesting to see what lessons are taught in the movies, so I’ve rounded up 10 classroom lectures from a variety of films. See if you can remember what movie each lesson is from. Answers are at the end.


In the courtroom:In 1975, Steve was passing through Philadelphia on his way to Hollywood, when a photojournalist friend offered him a press pass to watch the moving of the Liberty Bell with him. As luck would have it, the bad weather that day prevented the photographers from getting the shots they needed, but the fact that an illustrator was present meant that the media could at least get an artist’s rendition of the event. The Philadelphia Daily News was impressed by his work and asked if he’d ever done courtroom sketching before. He hadn’t, but he was willing to give it a try. For nearly 30 years since then, Steve covered court cases for every major media outlet, drawing his courtroom pictures with color markers. A drawing Steve made of Judge Lance Ito, his staff, and all the major players from the OJ Simpson trial hangs framed above the juror box in Judge Ito’s courtroom.
Outside the courtroom: Steve finally made it to Hollywood, where he has a prolific career drawing storyboards for major motion pictures including The Day After Tomorrow, Along Came Polly, and Dirty Dancing: Havana Nights. Steve also does fantasy and sci-fi illustration and is working on a book of stories from his illustration adventures. Here’s an example of his storyboard work for The Day After Tomorrow:










In 2008: Mike Huckabee’s Christmas campaign ad featured a bookcase in the background which resembled a cross. There was some debate in the media over whether or not the cross was a subtle but deliberate attempt at using transfer. Of course, Governor Huckabee’s statement in the ad that “what really matters is the celebration of the birth of Christ” is a much less subtle attempt to further align himself with the church.







As I was wading through this week’s issue, I realized that whoever writes the headlines (the copy editor, I think) has an interesting sense of humor and a penchant for puns and cultural references. Some of the headlines are better than others. I went through the stack of unread issues that’s been piling up in the living room and picked out some of the best and the worst headline puns and references from recent weeks. Whether you think they are the best or the worst probably depends on whether you like puns. Here are some examples:
Nearly every episode of the 1970s sitcom
Occasionally during downtime on a particularly slow photo shoot, I’ve played this game with my assistants. Everyone takes out a piece of paper, and numbers it from 1 to 50. Then you get 10 minutes to write down every state you can remember. Finally, you compare it to the master list and see who got the most answers. 10 minutes seems like more than enough time to remember a list of 50 items, right? And yet somehow I’ve never managed to get more than 48 of them.
Sometimes I get dangerous thoughts in my head, like “I wonder what it would look like to see every ad in Times Square all on one page.” So when I knew I’d be passing through Times Square this weekend, I made sure I had my camera. For the purposes of this nearly purposeless project, I considered storefront signs the same as ads if they were flashy and glitzy like Times Square ads tend to be.



































Shoulder the burden.
Each “-ist” website has its own cute logo following the same theme: a few sillhouettes of buildings, other architecture or landmarks, followed by “citynameist.” Each one also features a different colorful background. The original Gothamist logo, above, was designed by Sam Park, of 










The radio station 1010 WINS is for New York City what CNN Headline News is for cable television. It’s just nonstop headlines, weather, and traffic, repeating every 22 minutes. Their slogan is, “You give us 22 minutes, and we’ll give you the world.” Their website,
The crown jewel of the 1010 WINS Art Collection is Peace Grannies on Trial for Times Square Protest. For
It’s a classic struggle for every artist. How do you illustrate a
The influence of conceptual artist
Nearly five years after the tragic events of September 11, 2001, audio tapes were released featuring conversations between 911 operators and people trapped in the World Trade Center. For the event, the 1010 WINS artist created this commemorative work. On the day the tapes were released, a cell phone was so clearly important — a modern technological luxury but also an icon of this day in history — that it seemed like an object as large as the towers themselves. Or perhaps slightly larger, in black and white, looking a bit like it was photocopied and then faxed a few times before being scanned in for a montage.
The ashy, veiny hand reaches out, gas pump nozzle in hand, a stream of “S”es pouring forth from its spout like precious drops of gasoline. Together, the hand and pump give off an eerie glow as Honest Abe looks onward, his gaze obstructed by an exaggerated dot screen. George Washington is barely visible, shrouded by an orange shadow of depression. The 




























The poster for Adam Sandler’s new movie Click asks the question, “What if you had a universal remote… that controlled your universe?”